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80年代(⚾)末(♟)(mò )期，生活在(🐺)宁夏矿区(qū )的小两(liǎ(🍻)ng )口陈志(zhì )平(⏸)（张多饰）(🗃)和(hé )周淑(shū )萍（卢(🌃)(lú(👏) )珊饰）过着(🐇)平(🍵)凡又安宁(níng )的生活(🦌)。但(dàn )嗜赌(🔙)如(🐐)(rú )命的大伯(🔺)哥（杜(dù )旭东饰）被(♒)(bèi )人追债(😰)(zhà(💱)i )追到家里，紧(🎽)接(jiē )着父亲（郭(guō(🍲) )九(🦔)龙饰(shì )）被(👲)气死、母亲(qīn )（刘爱玲饰(shì )）(🦇)被(🕴)逼(bī )疯、就(📓)连(👔)陈志平(píng )也在矿上(🥡)受(shòu )伤，加(📫)(jiā(🀄) )上早年就因(🚺)车祸下身瘫痪的(de )弟弟(📦)陈(chén )志军，一(🎗)家人全体陷(🍼)入困境(jìng )，只有(yǒu )周(✖)淑(🥗)萍(píng )一个女(🚧)人担负起(qǐ )了拯(zhěng )救(🐺)家庭(tíng )的(🎳)重(🚔)任(rèn )...

前滑雪(🐨)俱乐部种(zhǒng )子选手，现(⏩)(xiàn )任雪场(🦃)(chǎ(🤺)ng )无照小商贩(🔦)的女(nǚ )孩雅琪捡到(🌜)(dà(🏏)o )了一个(gè )来(🔮)自异世界自称(chēng )滑雪冠军的(de )英(🐻)俊(💷)青(qīng )年穆勒(👳)。雅(🍗)琪为(wéi )了骗穆勒的(🐶)(de )装备和(hé(🥠) )技(📃)术去参加比(⛱)赛(sài )拿奖金，谎(huǎng )称帮(👑)夺(duó )冠就可(🐵)以解除他(tā(🥂) )身上的“诅(zǔ )咒”送(sò(🎟)ng )他(⛱)回家。于是在(🚥)雅琪“身经(jīng )百战”的五(🍟)菱(líng )宏光(🏳)里(🌬)开始了他(tā(😑) )们边(biān )卖货挣(zhèng )钱边(😤)训(xùn )练的(🚹)艰(🍛)苦同居生(shē(🙌)ng )活。

爱情侦(zhēn )探社是(🌩)(shì(🚲) )一个神秘低(🏣)调的(de )公司，主要(yào )业务是(shì )小三(♊)劝(🚴)退，社长(zhǎng )马(🈁)葶(😞)拥有绝(jué )佳的政(zhè(🛰)ng )商手腕，周(💖)旋(🍉)在(zài )名人富(💻)豪之(zhī )间。手(shǒu )下的成(🐳)员集合了(le )侦(📇)探、律师(shī(😦) )、心理(lǐ )学家等人(👉)才(🆓)，他(tā )们都有(😵)着不(bú )能摊开(kāi )在阳(🌋)光下的秘(🆕)密(🦁)人生。有一(yī(😗) )天，侦(zhēn )探社接(jiē )到一(💢)个案子，随(🍥)着(📐)案(àn )情抽丝(🚢)(sī )剥茧，进或退都会影(🐗)响(xiǎng )侦探社(🙎)的存(cún )亡。在(zài )爱情的十字路口(👙)(kǒ(🛋)u )，他们开始(shǐ(🌩) )疑(🍌)惑，究竟谁才有资格(🥅)(gé )获得真(🛫)爱(🏼)？这场正(zhè(⭐)ng )宫与小三之间的(de )对决(✨)，究竟(jìng )谁才(🚕)是(shì )最后赢(🥀)家？

本片(piàn )来自新(🎟)片(➡)场(chǎng )创作人(🌭)(rén )吴晋超，他担任(rèn )这部影片的(😻)(de )导(🐭)演、编剧、(🌒)美术以及剪辑。出品(pǐ(🔳)n )方为BITONE。

In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.

Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won't just hurt them...they will kill them.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.