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本片讲述了(le )分(fèn )属两个政治(🚈)集团(tuá(🥖)n )的(de )夫(💕)妻狄云和凌(líng )雪(xuě )之间，在面(🤛)对婚(🔧)(hū(⛸)n )姻(yī(🤩)n )危机之后，共同(tóng )找(zhǎo )回属于两个(🎿)人(🦒)的(de )爱(🍭)情，并(🔌)最终同(tóng )仇敌忾，将倒卖国(guó(🔋) )家(jiā )火(🏂)器的(😘)西厂提督(dū )刘保绳之以法的(🐗)(de )故事(💁)。

在(📃)法院(💡)擔任(rèn )公(gōng )設辯護人的李慧(huì )貞(🎿)，接(🚝)任一(💹)樁由(🌆)(yóu )名律師王國超中途(tú )解(jiě(🚀) )除委任(🕖)的青(📂)少年(nián )殺人案。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

牧江村(cūn )郊(jiā(❇)o )野山藏(🐡)有一(👮)怪，赤(chì )面獠牙，名曰垃(lā )圾(jī(🏑) )人，他(🚽)身(🚑)世神(🏴)(shén )秘(mì )，以垃圾为食，日(rì )遇村妇马(🐗)秀(🏀)娟，将(📬)(jiāng )其(🍻)掳掠。马秀娟(juān )通过与垃圾人(✡)的(de )交往(🤩)，发现(🎖)他虽丑(chǒu )陋(lòu )骇人，却心地单(🦋)(dān )纯。但(⌛)天不(🥫)遂人(rén )愿，“单纯”的垃(lā )圾(jī )人却将(👓)马(🌃)秀娟(🏛)视(shì(💾) )为配偶，囚于废(fèi )弃厂房。矿山(💩)老(🧑)板(bǎ(〰)n )徐(xú(💅) )东南徐西北两兄(xiōng )弟欲借炸(🔃)山除垃(🤧)(lā )圾(♉)人之名在野山非(fēi )法(fǎ )拓矿(🌼)，全然(👗)不(🕟)顾(gù(📋) )马(mǎ )秀娟安危。而(ér )垃(lā )圾人通过(🚓)马(👿)秀娟(👵)(juān )逐(🍎)(zhú )渐了解人类的尊(zūn )重(chóng )与(🤾)爱，遂将(🔎)其(qí(🐦) )放(fàng )归牧江村。马秀(xiù )娟得知(🐠)徐东南(💑)阴谋(📵)(móu )后(hòu )为救垃圾人与之(zhī )抗争，最(⏲)终(😔)被绑(🗿)(bǎng )于(♐)山上，垃圾人为(wéi )救(jiù )马秀娟(⛽)与(🎆)徐东(🌺)南(ná(🏂)n )死命相搏，后被(bèi )徐东南炸死(💪)。环保(bǎ(🕗)o )组(zǔ(🎞) )织声明垃圾人出(chū )现乃牧江(🤸)村的(🈁)环(⏺)(huán )保(👣)意识薄弱之恶果(guǒ )，垃圾人本无罪(🤰)，罪(💺)在人(🛳)心对(🤯)环境(jìng )的(de )态度，并呼吁民(mín )众(🕧)(zhòng )善待(🏊)环境(🥖)。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

深圳(zhèn )记(jì )者周安娜追随(suí(🛵) )爱(ài )情(🐋)来到(🈳)新疆，投(tóu )身“一带一路”事(shì )业(yè )中(♒)，她(💖)的未(🏒)婚夫(fū )李明旭作为国企(qǐ )油田高(⭐)管(🥩)固守(🦇)旧观(😋)(guān )念(niàn )，瞧不起提供外(wài )包服(💀)务的民(🗺)营企(🌉)(qǐ )业家杜亚新，与周(zhōu )安(ān )娜(🤜)产生(🧣)分(💛)歧。而(🌽)(ér )卷入这场纷争的(de )周安娜最后发(⛓)现(👏)自(zì(🔛) )己(jǐ(📙) )的爱情也陷入两(liǎng )难选择。

BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’(🙆)s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’(👵)re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’(🌶)s nothing to worry about.