青(🙇)(qī(🚯)ng )年画家(🕵)(jiā(🏫) )岸(àn )春自小在内蒙古长大，当地(😜)的(🤵)(de )风(😴)土人(ré(🤐)n )情(qíng )造就了他的艺术才华。然而在(🍡)他(🌸)的(🤴)内(nèi )心(xīn )一(yī )直有着一块难以(👲)抚(🖋)平的伤(👪)痕(🚑)，过早(zǎo )缺(quē )失(shī )的母(mǔ )爱让这位(⭕)人(🌁)前光鲜(📫)的(⛔)艺术家在情(qíng )感(gǎn )里陷(xiàn )入(rù(🥜) )迷(🕙)失(⛴)，常以酒精为伴麻醉自我(wǒ )。当受(🦀)(shò(🐠)u )一(yī )位(🏂)蒙(😇)古老人所托，为他英年早(zǎo )逝(shì )的(🔋)母(💝)(mǔ )亲(qī(📧)n )画(🖕)一幅肖像，这个母亲的肖像(xiàng )却(✈)怎(🕦)么(🏸)(me )都(dōu )画(🌫)不出神。对于母爱缺少感触(chù )与理(🏞)解(⚫)(jiě(👈) )，成了他无法落笔的难题。心烦意(🗿)乱(😪)之(zhī )时(🌮)(shí(➿) )，岸春遇到了单身妈妈如西，如西和(💲)(hé(🏈) )儿(ér )子(㊗)(zǐ(🏦) )的温(wēn )情不仅让他感受到母爱(🚒)的(🚰)温(♿)暖也(yě )让(ràng )他找(zhǎo )寻(xún )到了爱(🍿)情的味道(🍞)。但(🛌)是，母亲(qīn )到(dào )底为(wéi )什(shí )么会从(🔰)小(🎉)抛弃自(🌁)己(🕵)，在日日夜(yè )夜的叩(kòu )问(wèn )中，也(⚾)在(🈯)如(🗣)西的介(🈂)入下，似乎(hū )有了意(yì )想(xiǎng )不到的(🔍)答(⛑)案(🏍)，岸春也踏上寻母(mǔ )之路。母(mǔ )亲(🐹)的(🐬)肖像到(🎦)底(📹)能否兑现给蒙古老人的(de )期(qī )盼(pà(💋)n )？(🗝)岁(suì )月(🚐)里(⏱)母爱的真相会怎样揭开？原(yuá(🐐)n )来(🌉)(lá(🕎)i )，岸(àn )春的母亲一直以一个特殊(😡)的身份(fè(🈳)n )出(🎂)(chū )现在(zài )他(tā )的生活里！面对时间(🐶)、(🍭)面对生(🌐)(shē(👐)ng )命(mìng )的脆(cuì )弱(ruò )多变，只想向岁(🔲)月(❇)祈(🌡)求，时光(🎃)(guāng )你慢些(xiē )走(zǒu )，让儿子还能记下(📙)母(🏜)亲(🖤)的容颜(yán )......
青釬治(zhì )乱(luàn )，倚天定(🐁)国(🌆)，长久以(🕥)来(➗)，历代(dài )皇帝都(dōu )以(yǐ )为只要得到(🧚)青(🍌)釬和倚(🎏)天(⌛)两柄神剑就可(kě )夺(duó )得(dé )天下(🥩)(xià(🌌) )，但(👘)却无一能识破两把宝剑的(de )秘(mì(🔔) )密(mì )。
青(qī(🔰)ng )年(🚅)画家岸春自小在内蒙古长大，当(dā(🛤)ng )地(🦃)的(de )风(fē(🌴)ng )土(🏙)人情造就了他的艺术才华。然(rá(👋)n )而(🛑)在(🎧)(zài )他(tā(👣) )的内心一直有着一块难以抚平(pí(🚆)ng )的(🛹)伤(🌇)痕(hén )，过早缺失的母爱让这位人(🍾)前(🙋)光(guāng )鲜(🚉)的(🍂)艺(yì )术(shù )家在情感里陷入迷失，常(🚅)以(👄)酒(jiǔ )精(🦌)为(🛵)伴(bàn )麻(má )醉自我。当受一位蒙古(😫)老(🍥)人(📇)所托，为(wéi )他(tā )英(yīng )年早(zǎo )逝的(🎛)母亲画一(😓)幅(🍨)肖像，这个母(mǔ )亲(qīn )的(de )肖像(xiàng )却怎(🐕)么(💐)都画不(🤐)出(📃)神。对于母爱缺(quē )少(shǎo )感触(chù )与(😁)(yǔ(🥙) )理(🔸)解，成了(🍶)他无法落笔的难题(tí )。心烦(fán )意(yì(🌭) )乱(😯)之(👁)时，岸春遇到了单身妈妈(mā )如西(🌶)，如(🎽)(rú )西和(👛)儿(♊)子的温情不仅让他感受(shòu )到母爱(🌨)(à(📜)i )的(de )温暖(🗒)也(⤴)让他找寻到了爱情的味(wèi )道。但(🗻)(dà(🍱)n )是(〰)(shì )，母亲到底为什么会从小抛弃自己，在(zà(🛎)i )日(🌔)(rì )日夜(yè )夜的叩问中，也在如西的(🐌)介(🕠)入(rù )下(🎴)(xià(💥) )，似乎(hū )有了意想不到的答案，岸春(🔙)也(🚀)踏(tà )上(🚚)(shàng )寻母(mǔ )之(zhī )路。母亲的肖像到底(🔻)能(💷)否(♎)兑现(xiàn )给(gěi )蒙古(gǔ )老(lǎo )人的期(😹)盼(🥒)？岁月(⏯)里(🥨)母爱的真相(xiàng )会怎样(yàng )揭(jiē )开？(🍑)原(🔴)来，岸春(🙂)的(🔖)母亲一直以(yǐ )一个特(tè )殊(shū )的(📡)身(⬛)份(😋)出现在他的生活里！面对时间(jiān )、面对生(🍶)命(🐴)的脆弱多变，只想向岁月祈(qí )求(qiú(🐹) )，时(🆓)光(guāng )你(🗡)慢(🈶)些走，让儿子还能记下母亲(qīn )的(de )容(🥀)颜(🐍)(yán )......
In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’d heeded the warnings and never knocked…(🏘)
在《绑架王公子1》之中，大(dà )狸(lí )子爵(🛀)(jué(🥃) )士(🈴)(shì )惨遭王某人格侮辱。续集中，大(🎹)(dà(⏹) )狸子(zǐ(👇) )密(🤡)(mì )谋了一场骇人听闻的谋杀案......
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
