James Gibson is anJames Gibson is an ex-con who has spent his life in and out of prison. One day, his life turns around when he settles down, meets the love of his life and has a child with her, but an unforeseeable tragedy strikes and his life is never the same.
When a slippery Sydney film producer discovers he needs to attach a movie star to to finally make it big, he coerces his estranged father into a cross country road trip to find an elusive actor.
艾莉丝是(🌯)个(🍄)态度轻(qīng )浮(fú )、(🕊)行事鲁(🥀)莽的(de )红(hóng )发少女(🎱),和(🌰)妈(mā )妈(mā )当初领养她(👻)时(💘)的可爱形象大相径(🌱)(jìng )庭(tí(🦗)ng )。正值叛逆期(qī )的(🌶)(de )艾(⤴)莉丝完全是(shì )个(🕶)(gè )麻烦(⏰)制造机,一次又一(🛤)次(🥔)的脱序(xù )行(háng )为让妈(🏧)妈(🖥)对(🔁)她(tā )非(fēi )常头痛(👞)和失望(🚸)(wàng )。笼罩在这样的(🍾)阴(😃)影之下,艾莉丝(sī )也承受(🐳)了巨大的(de )压(yā )力(👸),导(🥈)致她不(bú )断(duàn )说谎成性(💡),谎(💟)(huǎng )言(yán )编织的世(👈)界与现(💊)实的界线逐渐模(♍)(mó(🍞) )糊(hú ),直到妈妈发(fā )现(xià(😳)n )她怀孕了,事(shì )情(qí(🎎)ng )才开始(🕧)有了变化…
在這(🏓)個(🍊)神祕又(yòu )黑(hēi )暗(🏵)的城市(🚏)裡,犯(fàn )罪,只是家(👞)常(🎙)(cháng )便(biàn )飯。被絕症折磨(🔃)的(💏)教(🔧)師比爾(賽(sài )門(🕛)佩吉飾(🧥)演)試(shì )圖(tú )自(🏳)我(🤑)了斷,但(dàn )始(shǐ )終想死卻(👎)死不成(chéng )。某日,比(🥥)爾(🥒)在(zài )深夜的咖啡廳裡(lǐ(🍝) )結(♒)(jié )識了美豔金髮(👁)(fà )女(nǚ(🏈) )服務生安妮(瑪(➕)(mǎ(🔙) )格羅比飾演)。兩人竟因(🗿)為「如(rú )何(hé )成功(🚡)自殺」(👡)這(zhè )話(huà )題而打(🚊)開(🍥)話匣(xiá )子(zǐ ),培養(♊)出一段(😾)詭異友誼…。而在(💀)(zà(🛏)i )城(chéng )市的另一角落(luò(⛴) ),兩(🦖)位(🐬)正在執行(háng )危(wē(🔴)i )險任務(🎼)的殺手(麥斯艾(➖)朗(❤)、戴克(kè )斯特佛萊契飾(🥎)演(yǎn )),為了獲得(⌚)高(🏐)(gāo )額(é )賞金在城市之間(🧣)(jiā(🔂)n )來回奔走,急切(qiē(🐣) )想要找(📢)到暗殺目(mù )標(biā(😈)o )的(🕗)線索…。
设(shè )定(dìng )在1996年,故(🗻)事围(wéi )绕(rào )居住在(😢)白俄罗(🐪)斯首都明斯克的(🗼)年(📿)(nián )轻(qīng )女子维尔(🏙)雅展(zhǎ(🈹)n )开(kāi ),她热爱House音乐(🎄)(lè(🐵) ),梦想着去到芝加哥当(🍲)一(🍊)名(🎼)专业DJ,然(rán )而获得(🐿)签证却(📻)(què )很(hěn )困难,在她(🐩)为(🎺)(wéi )申(shēn )请签证而准备伪(👮)造文件的时候,她(👔)去(🎥)到了一个凄(qī )凉(liáng )、闭(🔚)塞(👌)的小镇(zhèn ),当地人(✌)对她这(💴)种(zhǒng )不墨守成规(🕞)、(🛤)无(wú )拘无束的人怀有(yǒ(♉)u )敌(dí )意。
MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
父亲溺爱(à(📵)i )儿(ér )子(🚈)赛米,望子(zǐ )成(ché(🐯)ng )龙(🥖)。儿子面对升学压(🤓)力,父亲(👉)十(shí )分(fèn )忧心却(🔇)也(🍨)只能(néng )想(xiǎng )尽办法帮(😢)助(👃),直(🗽)(zhí )到有天儿子无(🥂)声告别(💧),留下了要(yào )“只身(🚥)前(🍨)往叙利(lì )亚(yà )”参与圣战(💤)组(zǔ )织(zhī )的信息(🔒),父(♊)亲踏上寻找儿子的路(lù(🔣) ),才(📚)发现父子之(zhī )间(🃏)(jiān )早已(🐁)存在着难(nán )以(yǐ(⚽) )调(🦔)和的矛盾。启(qǐ )发自真人(🚠)真事,突尼斯导演阿(🕤)提(tí )亚(yà )由一段寻子经(👄)(jī(🎟)ng )历(lì ),反映“阿拉(lā(🤷) )伯(bó )之(🍀)春”后,国家如何受(😰)到(💪)伊斯兰(lán )恐(kǒng )怖主义(🍜)和(🕊)经济(jì )停(tíng )滞所影(🕚)响,国(guó(🤚) )家(jiā )悲剧与家庭(🏣)悲(🏯)剧并存。青年们被(bèi )视(shì(😱) )为非理性的行(há(🦎)ng )动(❗)(dòng )背后,当中的(de )复(fù )杂情(🏏)感(😝)究竟如何描绘?(🌨)比利时(⚡)电(diàn )影大师达内(🏜)兄(🔁)弟(dì )协(xié )力监制,冷静(jì(🥕)ng )有(yǒu )力,最终超越悲(🥍)(bēi )剧的伦理剧。详情