藝術家自古皆(💉)(jiē(€藝術家自古皆(💉)(jiē(😐) )寂(jì )寞(mò )或許是境(🌹)界，人(🎮)到中年萬事憂則(📗)是(shì(🔱) )現(xià(🔯)n )實(shí )。在畫室洋洋(🦓)灑灑呈現自由雄風(🕘)的(de )裸(➡)(luǒ )男畫(huà )作(zuò )令他一(🎍)舉成(㊙)名，在家面對前妻(👢)(qī )懷(🧑)(huái )着新(xīn )歡(huān )骨肉(🎻)、與女兒相處尷尬卻(📷)令他(❗)一籌(chóu )莫(mò )展(zhǎ(❗)n )。貝蒙(🥂)特的寂寞，在於如何(🎛)在(🕜)著名(míng )畫(huà )家(jiā )與(🏂)單(dā(⛄)n )親爸爸雙重身份(🐮)、藝(😼)術創作與(yǔ )家(jiā )庭(🖼)生(😑)(shēng )活(huó )之間取得平(🧖)衡。維(🍑)羅（《電影就在(zà(💚)i )街(jiē(💣) )角(jiǎ(💐)o )》，35 屆）找來合作多(📤)年的編劇兼美(měi )指(🖖)(zhǐ )好(🎬)(hǎo )友對號入座，還原藝(🌽)術家(📔)有血有肉(ròu )的(de )矛(🔙)盾(dù(🍊)n )本(běn )性，在出世與入(🍥)世的兩難外，毋(wú )忘點(🌥)(diǎn )點(👭)(diǎn )超現實的幽默(🉐)。
鲁妮(⛪)·玛拉加盟布(bù )拉(🍷)(lā(🤩) )迪(dí )·科贝特执导(🍙)的新(💟)片《光之声》(Vox Lux，暂(zàn )译(🥟)(yì ))，格(🍅)(gé )莱美提名女歌手(📘)Sia将(🌱)为该片创作(zuò )歌(gē(🆓) )曲。新(🍰)(xīn )片将采用65毫米(🤴)大格(🎢)式胶(🧢)片拍摄、70毫(háo )米(🏊)(mǐ )大(dà )格式胶片放(⛸)映。故(🌥)事讲述从1999年至现(xiàn )在(➗)(zài )十(😨)(shí )余年间，一个经(🎳)历动(👂)乱浩劫的女人(rén )如(⛅)(rú )何摇(yáo )身(shēn )一变成(👧)了超(🛋)级明星。影片将于(💩)(yú )2017年(🏫)(nián )2月开(kāi )拍(pāi )。
本片(👽)基(🛥)于弗洛伦西亚埃切(💘)夫斯(🗝)的(de )小(xiǎo )说(shuō )《科妮(⏯)莉亚(🏻)》改编，讲述一位来自(➗)(zì(💐) )布(bù )宜(yí )诺斯(sī )艾(🔂)利斯(📏)的名校老师和五(🌧)名学(🔳)生(shē(🐦)ng )进(jìn )行了(le )一(yī )次(🛡)学习旅行，其中一个(🐿)叫科(🥋)妮莉亚(yà )·维(wéi )拉尔(💅)巴的(👾)学生神秘失踪，据(🌘)说，她(💳)(tā )和(hé )同(tóng )伴们相(🔎)约一起去跳舞，结果在(🐄)巴塔(✉)(tǎ )哥(gē )尼亚(yà )森(⏩)(sēn )林(🌐)中走失....
《驴为媒》故事(🙇)发(👱)生(shēng )在(zài )当下(xià )鲁(🥏)(lǔ )西(🌼)大地上的聊城市(😐)，讲述(🤚)的是在京(jīng )打(dǎ )拼(🎮)(pī(🛥)n )多年的有志青年，得(🎸)知老(📴)家惠民政(zhèng )策(cè(🤩) )后(hò(🥕)u )，回(huí )乡养驴、带领村(🏉)民脱贫致富，实(shí )现(😬)自(zì(🍿) )己(jǐ )创业梦，并赢(🈶)得爱(😄)情的(🐄)故事;讲述了(le )党(dǎ(🛳)ng )的(de )精(🚂)准扶贫政策和乡村(🙏)振兴战略在齐(qí )鲁(lǔ(🏀) )大(dà(💡) )地的生动实践，展(🔎)现了(🤖)基层党员干(gàn )部(bù(🍉) )在(🕴)全(quán )面(miàn )建成小康(👱)社会(🍫)进程中的“主心(xī(🛶)n )骨(gǔ(🧡) )”形(xíng )象(xiàng )。电影《驴为(📜)媒(🐬)》坚持“小成本、大(dà(Ⓜ) )情(qí(🍢)ng )怀、正能量”的创(🎛)作宗(📥)旨，紧扣当(dāng )前(qián )乡(xiā(🌋)ng )村振(zhèn )兴和精准扶(🗨)贫主(🛣)题，将社会效(xiào )益(🎇)(yì )、(📵)价(jià(👗) )值(zhí )引领放在首(🍟)位，引(📘)导人们努力实现(xià(🌰)n )个(gè )人(rén )前途与国家(💛)命运(🈸)、个体经历与时(🗻)代(dà(🌹)i )大(dà )潮(cháo )、个(gè )体(👻)情(♌)感与国家情感的同(🌵)频共(⛎)振(zhèn )，激励(lì )人(ré(🕊)n )们向(💋)上向善，自觉践行社(🎢)会(🅿)主(zhǔ )义核心(xīn )价(jià(🥐) )值观(🔅)，讴歌党、讴歌人(😔)民、(🌒)讴歌新(xīn )时(shí )代(dài )。
清(🔀)末民初，日本人以荣(🌍)亚矿(🈶)业公(gōng )司(sī )为壳(💓)，瞄上(🌄)了南(🍛)灵镇的皇墓，试图(📕)盗(dà(🗺)o )取(qǔ )国宝(bǎo )，荣亚矿(🖐)业的负责人藤川负责(🐄)调查(🛥)“镇(zhèn )灵(líng )玺”。一日(🧑)，收到(🤬)线报，称南灵镇(zhèn )花(🔣)(huā(🥄) )家(jiā )少爷(yé )花易天(🈲)在最(🛫)近的一次倒斗中(🧛)，掌(zhǎ(🐨)ng )握了(le )国(guó )宝线索。藤(🍚)川(🕡)盯上了花易天，而此(📑)时(shí(🎨) )，花易天一方面要(🌆)面对(🌂)日本人的虎视(shì )眈(dā(🏍)n )眈(dān )，一方面遭到了(🍀)花家(👟)分舵主王中鹤(hè(🛡) )的(de )反(🍓)水，失(🎁)去了花家镇外六(📒)部势力。内(nèi )忧(yōu )外患(huà(🔘)n )之(zhī )下，花易天以肥斗(💈)美差(✈)招来了高手(shǒu )慕(🔤)(mù )长(🎍)(zhǎng )风助自己一臂之(🔆)力。机缘巧合下爱(ài )上(📁)(shàng )了(🆔)(le )花易(yì )天青梅竹(🕓)马的(⛽)未婚妻唐婉云的(de )慕(🐟)(mù(👧) )长风(fēng )与(yǔ )花易天(🏒)里应(💑)外合，在“花魁十(shí(🉐) )年庆(💠)”时(shí )清盘了王中鹤势(💹)力。没想到逃走的(de )王(🙅)(wáng )中(🦉)(zhōng )鹤绑架了唐婉(🤫)云和(🛣)花易(🏄)天极尽折磨(mó )，虽(⛳)然二(èr )人侥幸逃出，但是(💃)花易天身体(tǐ )和(hé )精(🌍)神(shé(🏢)n )全(quán )都元气大伤(📦)，一蹶(🔐)不振。花易天能(néng )否(♑)(fǒu )重(chóng )新振作?又能否(⌚)联手(🚞)慕长风终结日本(🆎)(běn )人(🗜)(rén )的(de )阴谋(móu )，守护住(🐞)属(🤵)于中国的镇灵宝?
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
After being double-crossed by Hondo on her own ship, Maz tells some stories.
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où(🏺) elle découvre que son fils ché(㊗)ri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son école. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourré(🥄)s et pièges de cours de ré(😐)cré, désormais ce sera "oeil pour oeil et dent pour dent".
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.详情
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