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因(yīn )流(liú(🛡) )感感(🙃)染(🌡)的死者突然(rá(🗣)n )复活，变成丧尸(🌚)开始(🙀)疯狂撕咬(yǎo )活(huó(📋) )人(rén )，被咬后的(⛑)活人纷纷变成(🐨)丧尸，一(🎉)场末日丧尸之(🍘)战(zhàn )自(zì )此(cǐ(😗) )开(kā(🉐)i )始(shǐ )...

中年建築師(🏇)遇上人(rén )生瓶(🐫)頸，在家被老婆嫌棄，公(⛪)(gōng )司(sī )小(xiǎo )開(🐮)(kāi )兔死狗烹。失(❕)業的(🈴)他(😜)在曼谷街頭驀(🔫)然回首，瞥見大(⬛)(dà )象(👬)(xiàng )Pop Aye，憶(yì )起歡快的(🈷)童年時光(guāng )，毅(🖥)然買下大象，卻(🍨)發現(🥀)都(🅰)市(shì )生(shēng )活(huó(🍲) )容(róng )不(bú )下他(📅)倆，打(🚖)算和老(lǎo )象一路(🐽)向北返鄉。這趟(🐒)人與象(xiàng )的(de )公(💙)(gōng )路(lù(⛅) )之旅，途中狀況(👛)不斷，所幸萬能(🍈)的象(🍎)鼻領著他倆(liǎng )，與(🦀)(yǔ )沿(yán )路(lù )風(🎃)景相伴。《爸媽(mā )不在家(㊗)》導演陳哲藝監(🐡)製，阿(ā )比(bǐ )查(🚛)(chá )邦(🛍)(bā(🐋)ng )御用剪接操刀(☔)，看擅長冷幽默(🍲)的才(😳)女導演陳敬音，用(🥉)(yòng )象(xiàng )鼻(bí )對(👔)抗中年危機！將(🔩)(jiāng )泰國(💘)鄉下的荒涼風(😖)景，轉變成(chéng )一(✝)(yī )首(😓)(shǒu )洋(yáng )溢(yì )著淡(🕹)淡霓虹光芒的(🚇)自我蛻變之歌(🤟)。

本片导(🕶)演童抒(shū )伟(wě(🎖)i )称(chēng )，《追击者》将(➕)是福(🅾)建(🏽)省第一部真正(🥉)意义上还原电(🐲)(diàn )影(yǐng )本(běn )质(zhì )、追(🎍)求电影艺术的(🦈)动(dòng )作犯罪电(🌉)影，同(🚢)时(🐁)他也致力于(yú(🌥) )拍(pāi )摄(shè )出(chū(🛴) )自己(🐆)风格的电影，更希(🦃)望能够打开漳(🚄)州，甚至是(shì )福(😽)(fú )建(jià(😌)n )的(de )电(diàn )影市场(✨)，希望能将(jiāng )商(🦈)业与(😝)艺术想结合。

A wealthy socialite's daughter discovers she was switched at birth.

嘉庆(🚯)年间(jiān )，海(hǎi )州(😨)(zhōu )之(zhī )地官商(🖥)勾结腐(🔃)败严重，乡绅刘(💌)德高与日本人(🙄)串通(🈲)(tō(🐊)ng )走(zǒu )私(sī )鸦(yā(🏸) )片残害百姓。刑(🐎)部尚书敖青密令洪涛(📤)前往特查此(cǐ(🍡) )案(àn )。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.