首页 / 《野花5》

子どもに夢を与(🍺)え、想(🤰)像力を(🕧)は(🍊)ぐく(🚪)むコン(😅)テンツ(🚰)作りをめざして、キャラクターアニメー(👹)ション(🔵)を(🏐)中心(🔨)(xīn )にデ(🥍)ジタル(🥇)絵(guì )本やARといったアプリなどを通して、(🌽)エンタ(💖)メから(🏰)知育(🤠)ま(🏸)で幅広(🏰)く活動しているスタジオななほしが、ジ(🦁)ャンル(🖊)やメデ(🚌)ィ(🏒)アを(🎏)問わず(🐈)、もの(🎇)づくりを手掛(guà )けるウサギ王と制(🤦)作。どこ(🔡)の家に(⛳)も(✍)ある(🐼)縁起物(💨)たちと(🔙)、彼(bǐ )らが動(dòng )くさまを見た子どもたち(🔇)との交(💪)流(🎎)(liú )を(🏏)、躍(yuè(🐱) )動感い(🧔)っぱいに描いたドタバタコメディ！

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

東京(🏣)國際同(🤜)志影展(🖕)參展(🍿)作(🕙)品

遭到(🛍)友人設局而欠下大(dà )筆債務(wù )的張父(fù )，逼(🍭)不(bú )得(🍞)已帶(dà(🔷)i )著(🚴)一家(😋)(jiā )四口(🤮)承(chéng )租(📡)花蓮(lián )的一處(chù ) 凶宅，此處過(guò )去曾(⛎)發生(shē(😯)ng )了駭人(😼)(ré(🖍)n )聽聞(🦍)的五子(🕧)命案。初(🏁)入凶宅的當天，一些若有似無鬼(guǐ )影幢幢(zhuà(🍚)ng )，加上(shà(📯)ng )張(🔍)父突(🔮)(tū )如其(💒)來(lái )的(🛤)搬家(jiā )舉動，惹的張(zhāng )母與大(dà )姊心裡(lǐ )不(💆)愉快(kuà(🛩)i )。即使向(🌤)張父抱(🙋)(bào )怨，鐵(🖨)齒的張父以一貫不信鬼神的態度，予以拒絕(🌅)。

一名男(🔃)(nán )子不(🆚)滿(🧜)(mǎn )一(👢)樁冤(yuā(〽)n )獄案件(💿)(jiàn )的發生(shēng )，私自(zì )綁架審(shěn )判該案(àn )的法(💁)官(guān )，將(🎽)其(🕟)(qí )囚(👱)禁於(yú(🎖) )地下室(🌹)，並錄影(yǐng )開直播，公開質疑其判決有誤，要求(👵)社會大(🗼)眾對其(😅)進(jìn )行(🔉)公審(shě(🗡)n )並投票(piào )，然而(ér )最終的(de )結果，會因此(cǐ )撼動(⏮)程(chéng )序(😑)正義(yì(🏍) )嗎？

Paraí(🕗)so Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentaç(📗)ões musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a segurança do jovem talento Ímã (Jaloo), neto de José e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.