Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
藤冈靛(diàn )在(🧕)片(piàn )中饰演引发奇(qí )迹的正体不明(míng )的主人公拉乌(👭)，尽管他的国(🔲)籍(jí )与语(yǔ(📁) )言不明，但是(shì )温暖的笑(xiào )容却(què )有种不可思议(yì )的(🕔)力量，影片(pià(🍽)n )通过超越国(🚿)籍与宗(zōng )教的年轻人(rén )们的友情，自(zì )然(💙)地(dì )反应人(🍹)们(men )的生(shēng )活(💐)。影片(piàn )全篇(🛳)(piān )外景在印度尼(ní )西亚苏门答腊(là )岛拍(🤩)摄，用时一个(🎉)月。
喧嚣的(de )都(🐬)市(shì )中，在碟(🔆)(dié )店打(dǎ )工的男主(zhǔ )角阿(ā )正与都市白(🔙)领(lǐng )小美邂(📓)逅，两(liǎng )颗寂(🙈)寞的心渐渐走近,直至两人(rén )之间(jiān )的交往被(bèi )一个(⛪)(gè )中年男人(🤷)(rén )发现(xiàn )，阿(⛪)正被其找(zhǎo )人暴打之后，两个带着创伤的(🕺)身(shēn )体才最(👽)终越(yuè )过了(😟)底线。 阿(ā )正(🚞)天(tiān )真地认为(wéi )这种(zhǒng )暧昧关系(xì )即代(💄)(dài )表着一种(🦒)情感(gǎn )的承(👡)诺，而小(xiǎo )美(♒)或许只是将其作为一种愧疚(jiù )下的(de )补偿(🤨)、一(yī )段临(🔐)(lín )时的慰藉(⏱)(jiè )，甚(shèn )至从未对阿正(zhèng )产生过所谓的(de )的“爱”。
技术宅男(🕕)马小明暗(à(👻)n )恋小模特沙(🔼)莎(shā )，一(yī )次意外他(tā )与流(liú )浪狗豆丁互(🎴)换(huàn )了身体(🚑)，从此(cǐ )进入(🔋)了沙莎的生(💡)活(huó )，在人与狗互换的过程中(zhōng )，彼(bǐ )此增(🕢)进了(le )了解(jiě(🐴) )，建立了(le )信任(💻)(rèn )与依赖，最(💹)终(zhōng )捕获了女孩的(de )芳心。
林奇为救身患绝(🌟)症的女(nǚ )儿(🐹)，加入了富(fù(♓) )豪齐(qí )腾、医学(xué )专家(jiā )岚若、地质学(xué )家胖子及(🍯)雇佣(yòng )兵团(🈂)等组成的冒(💉)险小队，踏上(shàng )了寻找“生命(mìng )之果(guǒ )”的旅(🥡)程(chéng )。在(zài )这(🏴)片危险(xiǎn )密(🐀)布(bù )的丛林(✉)中，险(xiǎn )象接踵而至，队员接二连三遇难身(🥨)亡，暗处(chù )似(🐿)乎(hū )还潜伏(😤)着(zhe )觊觎(yú )他(🙇)们生命(mìng )的凶(xiōng )残猛兽。想要(yào )逃离的队(🏪)员和(hé )齐藤(🥪)的关系越发(📌)紧张，与此同(tóng )时，生命之花(huā )即将(jiāng )开放，神(shén )秘猛(mě(🚠)ng )兽的真面目(🏽)也(yě )浮出水(🏊)面。
藝(yì )術家自古皆寂寞或許是境界，人到(🚯)中年萬事(shì(🔗) )憂則(zé )是現(🗺)實。在畫(huà )室(🛁)洋洋灑(sǎ )灑呈(chéng )現自由雄風的(de )裸男畫作(⏪)令他一舉成(💼)名，在家面對(⏭)前妻懷着(zhe )新(📊)歡(huān )骨肉、與(yǔ )女兒(ér )相處尷尬(gà )卻令(🎹)(lìng )他一籌莫(🐊)展。貝蒙特的(🥙)寂寞(mò )，在於如何在著名畫家與單親(qīn )爸爸(bà )雙重身(🚳)份(fèn )、藝(yì(🦌) )術創作與(yǔ(📬) )家庭(tíng )生活之間取得(dé )平衡。維羅（《電影(😯)就在街角》，35 屆(🎦)）找來(lái )合(🕷)作多年的編(🎮)(biān )劇兼(jiān )美指好友(yǒu )對號(hào )入座，還(hái )原(☝)藝(yì )術家有(🍣)血有肉(ròu )的(🎀)矛盾本性，在(🛁)出世與入世的兩難外，毋忘(wàng )點點(diǎn )超現(🏭)實的(de )幽默(mò(🍆) )。
