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印度(dù )每年有超(🏉)过(guò(🎬) )二万宗(zōng )针对(duì )女性(⛏)的(de )暴(🤲)力(💅)罪(zuì )案，平均每(měi )二十二分(⛅)钟(zhō(✝)ng )就有一(yī )名女性被强(🗳)(qiáng )暴(🌕)，每(⛄)(měi )六小时就有(yǒu )一名(🧞)妇(fù(🤒) )女因家庭暴(bào )力丧命(mìng )。年(🐁)轻(📲)的(💃)基(🥇)层女警索妮与上司卡(👮)帕纳(💅)在德里一同接(jiē )手调查不(📸)同(🔝)的(🎧)女性(xìng )暴力事件，在办(🚇)案(🕎)(àn )过(🚺)程中往往遭受到(dào )了重大(🐙)阻(🐩)力(🕌)(lì )，无日(rì )无之的罪案(à(🐣)n )令她(🎀)脾(pí )气暴躁，做(zuò )事方(👖)式(shì(🥚) )偏(🔄)离常规，被裁定(dìng )在执勤中(🍐)行(há(🈵)ng )为不当(dāng )，而(ér )私人生(🔇)(shēng )活(🕦)也(⏬)影响到(dào )了她的(de )职业(💽)表现(🆚)，与丈夫(fū )已经彼此疏(shū )离(👝)，却(🍟)(què(🛒) )要(🛢)被迫面对(duì )他突然(rá(📤)n )的到(🍂)访。印(yìn )度电影少见的写实(🔦)题(📔)材(🕟)，以一场一镜营(yíng )造出(🛁)真(🏸)实迫(🙆)力，将(jiāng )社会低下层女性受(🗜)(shò(🏒)u )到(🎬)压迫的问题表露(lù )无遗(🌥)。

雅克(🕠)(kè )·维吉(jí )尔被指控(🦄)谋(mó(🕦)u )杀(☕)了他(tā )的妻子。作(zuò )为雅克(🔸)(kè )·维吉尔案(àn )件的陪(pé(👥)i )审员(🌐)，诺(📘)拉(lā )坚信他(tā )没有(yǒ(✈)u )杀害(🌞)他(tā )的妻子。但(dàn )是，这(zhè )种(💇)直(🏭)觉(🌃)很快(kuài )就成为(wéi )了一种(⏱)偏执(🕖)(zhí )。她说(shuō )服了国内最(zuì )有(🎞)名(🦂)的(🔌)(de )律师为雅克(kè )辩护。为(🍕)证(🖊)明雅(🎎)克的清白，他们携手展(zhǎn )开(🥀)了(😏)一场艰难的辩(biàn )护斗争。为(🉑)此，他(🍎)(tā )们也付出了巨大的(🕹)(de )代价(⛅)。这(🔊)部(bù )电影受(shòu )到雅克·维(🔆)(wéi )吉尔的(de )真实案件的(de )启发(👝)，讲述(🍒)了(🗼)他的(de )妻子离(lí )奇失踪(🚄)，而(é(🏠)r )他因此(cǐ )受到(dào )审判的(de )故(🕧)事(😂)。

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

４(⛷)K/8Kの高解像(xiàng )度による大(🔖)(dà )型(🔝)映像(xiàng )をはじめ、CMやPV、テ(🏽)レ(🚖)ビ(🕓)番組、さらにはwebクリ(🔪)エ(👚)イテ(📯)ィヴ・デザインやグラフ(🚌)ィ(🚣)ック方面(miàn )でも活躍する(📨)IMAGICAイメ(🕦)ージワークスと、『(📈)ALWAYS三丁(🌰)目(🎠)の夕日』シリーズや『永(❕)遠(yuǎn )の０』などの大ヒッ(🐉)ト作(👣)で(🥋)知(zhī )られる映像制作(😎)集(jí(😀) )団ROBOTがタッグを組んで、子(🍠)(zǐ(😄) )ど(🚾)ものころに見た夢を失(㊙)いな(📇)がら大人になり、多忙を(🔅)極(🧕)め(🏪)て久しい現代人の心(🍯)に(🚹)、か(🤟)つてのあの“想い”を蘇らせ(🎟)る(🎡)SFファンタジー！

阿黛尔和她(✈)的母(🖍)亲(qīn )孔查生活在城郊(🥄)的(de )一(😒)个(👩)贫民窟里。孔(kǒng )查的丈夫是(😂)(shì )个可恶(è )的暴徒，他(tā )使(⌚)母女(🚱)(nǚ(🐱) )俩长期生活(huó )在暴力(👷)(lì )和(🏣)虐待之中(zhōng )。对此(cǐ )忍无可(☝)忍(🏌)的(👴)(de )孔查决(jué )定不(bú )顾一切(🚭)(qiē )风(🙉)险，偷走(zǒu )一大笔(bǐ )钱，并带(🎅)着(🐨)(zhe )女(👆)儿阿(ā )黛尔逃离。不幸(🍖)的(💻)(de )是，她(🍛)们在(zài )出逃中(zhōng )被发现了(🗾)。在(💧)追捕过程中，孔查却意外地(👫)驾车(😽)撞死了丈夫……这场(🦁)逃(tá(🌼)o )离(🛡)注定是一次冒险(xiǎn )，而母女(👱)俩竭尽全(quán )力，才能挣(zhèng )脱(😝)一直(🚦)(zhí(🈴) )禁锢她们的(de )牢笼。在这(🔖)段跨(🥛)越(yuè )生命的(de )寓言中，力(lì )量(📲)、(🍝)困(🌞)(kùn )难、爱的希(xī )望、机(😄)(jī )会(💽)和(hé )死亡如(rú )影随形。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.

印(yì(🌄)n )度(🍮)每(👺)年(nián )有超过二万(wàn )宗针(😜)对(duì(🌖) )女性的暴力(lì )罪案，平均每(🚴)二(🏒)十(shí )二分钟(zhōng )就有一名女(😬)(nǚ )性(📪)被强暴，每六小时就有(🤱)一名(🗽)妇(📋)女因家庭暴力丧命。年轻(qī(🎱)ng )的基层女警索妮与(yǔ )上司(♓)卡(🥟)帕(🤔)纳(🦌)在德里(lǐ )一同接手调(🔦)(diào )查(📔)不同(tóng )的女性暴力(lì )事件(🦂)，在(🍑)办(🎛)案过程(chéng )中往往(wǎng )遭受(📶)到了(🦈)重(chóng )大阻力(lì )，无日无之(zhī(➕) )的(🎼)罪(📘)案(àn )令她(tā )脾气暴(bào )躁(🌒)，做事(👍)方(fāng )式偏离(lí )常规，被裁(cá(🔎)i )定(🖨)在执(zhí )勤中行为不(bú )当，而(🦍)(ér )私(👘)人生活也(yě )影响到(dà(🎁)o )了她(😱)的(🚛)职业(yè )表现，与丈夫已经彼(⛴)此疏离，却要被迫面对他突(🎧)然(🙉)的(🕗)到(📀)访(fǎng )。印度电影少见的(🚦)(de )写实(🤭)题材，以一场(chǎng )一镜营造出(🥋)(chū(🌸) )真(💤)实迫(pò )力，将社会(huì )低下(🚯)层(cé(🌸)ng )女性受到压(yā )迫的问(wèn )题(🔙)表(⛵)露(💱)无遗(yí )。

Wolfgang.Amadeu.Mozart: