Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
20世(🔕)纪(🐰)(jì )福克斯最(🕗)(zuì )近(jìn )买下(🏥)了Alma Katsu下部小说(🚺)《饥(🏬)饿(è )》(The Hunger)的(de )电(diàn )影(yǐng )版(😟)权,这部小说(🚇)以(🏥)《行尸走肉》的(de )风格叙述了(💗)北美历史上(🎋)(shà(📑)ng )最恐怖的(de )一(yī )段“食人”历(🐀)史。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
子どもに(🧢)夢(🏎)を与(yǔ )え、想像力をは(💵)ぐくむコン(🦆)テ(🔁)ンツ作(zuò )りをめざして(🚭)、キャラク(🐁)タ(😞)ーアニメーションを中(🌀)心にデジタ(🐫)ル(👏)絵本(běn )やARと(🕹)いったアプ(🕟)リ(✏)などを通し(👽)て、エンタ(📧)メから知育(📗)ま(🏇)で幅(fú )広く活動(dòng )して(🕐)いるスタジ(🍨)オ(😵)ななほしが、ジャンル(🥧)やメディア(🚅)を(😖)問わず、ものづくりを(😫)手掛けるウ(💩)サ(👣)ギ王(wáng )と制作。どこの家(🎃)にもある縁(🚇)起(🏯)物たちと、彼(bǐ )らが動(🧑)くさまを見(🤰)た(🔌)子どもたちとの交流を(💝)、躍動感い(👄)っ(😀)ぱいに描い(🆚)たドタバタ(🔡)コ(📢)メディ!
在社(shè )会主义道(💃)(dào )路(lù )上,中(🅱)国(🥊)公路的发展和(hé )人民命(🛥)运(yùn )紧(jǐn )密(🦊)(mì(🎁) )相连的。《大路朝天(tiān )》以四(🏹)川公(gōng )路(lù(🚿) )建(🍤)设为切口,以成雅高(gāo )速(🆒)、雅西(xī )高(👝)(gā(🌪)o )速、雅康高速建设为题(💔)(tí )材,通过讲(🦃)(jiǎ(😬)ng )述(shù )祖孙三代路桥工人(👈)伴随改革开(😉)放(📊)(fàng )40年(nián )经历(📠)的命运和情(📍)感故事(shì ),折(😁)射(🥫)出(chū )时(shí )代(👴)发展与变迁(😱)。
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
《人(🏻)尽(jìn )皆知》讲述(shù )了(le )定居(🤕)在阿根廷的(💏)西(🎲)班牙(yá )裔女子劳(láo )拉(lā(👰) )和她的丈夫(🌉)及(🚻)孩子回到(dào )西班牙小(xiǎ(🦉)o )镇(zhèn )参(cān )加(🧤)姐(🛄)姐的婚礼,然而(ér )孩子却(💘)莫名(míng )失(shī(💢) )踪(📰),这一突发事件使得(dé )原(♒)本和谐(xié )的(📪)(de )家(💨)庭开始互相猜疑,尘(chén )封(🤴)许久的秘(mì(🎏) )密(🕟)(mì )逐渐浮出(💴)水面……
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
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