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印(yìn )度每年(nián )有超过(guò )二万宗(🔍)(zōng )针对女性的(de )暴力罪(zuì )案，平(píng )均每二(èr )十二分(fèn )钟就有一名女性被强暴，每六小时就有一名妇女因家庭暴(bào )力丧命(mìng )。年轻(🍇)(qī(👢)ng )的(😀)基(🥇)层(🔃)(cé(🌫)ng )女(⏸)警(🎤)索(📅)(suǒ(😒) )妮(🧤)与上(shàng )司卡帕(pà )纳在德里一(yī )同接手(shǒu )调查不(bú )同的女(🛹)(nǚ(🎒) )性(👾)暴(🍉)力(🔌)(lì(🎍) )事(🙆)件(😽)，在(🛳)办(🐫)案(📉)过(😁)程(🌲)中(📪)往往遭受到了重大阻力，无日无之的(de )罪案令(lìng )她脾气(qì )暴(💯)躁，做事方(fāng )式偏离(lí )常规，被裁定(dìng )在执勤中行(háng )为不当(dāng )，而私(sī )人生活(huó )也影响到了她的职业表现，与丈夫已经彼此疏离(🌹)，却(🧠)(què(🍭) )要(👉)被(🌁)迫(🔚)面(🏤)对(🧛)(duì(🍬) )他(🕚)突(🌙)然(rán )的到访(fǎng )。印度(dù )电影少(shǎo )见的写(xiě )实题材(cái )，以一场(🐽)一(🐥)(yī(🌳) )镜(🏰)营(🚱)造(🕞)(zà(🍓)o )出(👜)真(🗄)实(💅)(shí(🎈) )迫(🙏)力(😝)，将(💕)社会(huì )低下层女性受到压迫的问题表露无遗。

第69回NHK红白歌(🧝)合战（第69回NHK红(hóng )白歌合(hé )戦），是日本(běn )放送协(xié )会（NHK）举办的(de )大型音乐节(jiē )目，亦(yì )是红白(bái )歌合战(zhàn )的第69场节目。节目于(❄)2018年(🍴)12月(🌎)31日(🗃)在(😣)NHK音(👽)乐(🥅)厅(😊)举(💫)行(🐂)。2018年(🏖)10月5日，NHK发表了“第(dì )69回NHK红白(bái )歌合战(zhàn )”节目(mù )播出时(shí )间及(🐷)节(⛳)(jiē(🎤) )目(🤰)主(👇)题(🐄)(tí(🚖) )“歌(🕜)唱(🧚)梦(😉)想(☔)(xiǎ(🐀)ng )（(📯)梦(🔍)を歌おう）”，该主题(tí )是继前两回（第67回、第68回）后的第(🛹)三次使用，主题将一直(zhí )沿用至(zhì )2019年“第(dì )70回NHK红白(bái )歌合战(zhàn )”为止(zhǐ )，以此(cǐ )应援即(jí )将开幕的2020年(nián )东京奥(ào )运会和(hé )2020年东京(jī(🚘)ng )残(🕒)奥(🥑)会(🐤) 。除(🌀)了(💒)NHK综(🈸)合(🌮)频(🕦)道(🍂)外，本届红白歌会也将会在同(tóng )年12月1日开播(bō )的NHK BS4K、NHK BS8K频(pín )道并(🌉)机(🤟)(jī(🚪) )直(🌥)播(🧔)。

不(🏋)管(🐂)这(🦌)(zhè(👉) )导(🍹)演(🥅)嗑(🍩)(kē(🗂) )了什么(me )很纯的，全(quán )部都要(yào )给你来(lái )一点！在澳洲(zhōu )这座曾经被称作「无主之地」（Terra Nullius）的大陆，历史以前所未(wèi )见的观(guān )点重新(xīn )诠释：当《疯(fēng )狂麦斯(sī )》末日(rì )场景成(chéng )为难民拘留(🔠)(liú(🗡) )地(🐸)，食(🕕)(shí(📩) )人(🦇)羊(📭)成(🏰)(ché(👑)ng )为(📼)反殖(zhí )民叛乱份子，《沙漠妖姬》与电视剧《请喜欢我》有(yǒu )了跨时(🐩)空(🏳)的(💖)(de )酷(🔒)儿(😏)对(🔲)(duì(🚁) )话(⛸)…(📉)…(💜)本(🕌)片(⏫)以(💁)(yǐ )近似DJ取(qǔ )样混音(yīn )之拼贴(tiē )手法，打开(kāi )了虚构(gòu )与史实(shí )间的神(shén )秘黑洞(dòng )，大量援引电影名场景与历史典故，穿越时空与各种语境(jìng )，重写(xiě )、改写(xiě )、乱写(xiě )，全面(miàn )毁坏观(guān )众(🌀)的(🎥)三(🕙)(sā(👖)n )观(🔊)！这(📎)是(🔸)一(🐺)部(⛏)政(🛅)治(zhì )复仇预(yù )言，杂(zá )揉讽刺(cì )喜剧、生态恐怖与公路电影(🔦)类(😊)型(🌆)，写(🎿)下(🐴)澳(💇)洲(⤴)国(🃏)族(🏅)神(🐁)话(😰)从(🎾)未(🐸)被纪录(lù )的史诗(shī )篇章。

When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

A young couple picks the wrong hideout while trying to elude the police.