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  • 《博物馆奇妙夜1》
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    注(🥝)(zhù )目のミステリー作家・大(dà )山誠(chéng )一郎原作「赤い博物館」のドラマ化第(dì )2弾(📓)。松(👸)下(😨)由(〰)樹(🙉)主(📠)(zhǔ )演で犯罪資料(liào )館緋色冴子シリー(😬)ズ(🎾)『(🙁)赤(🐜)い(🚍)博(🕐)(bó(🍘) )物館2』を放送する。

    2012年的一个(gè )夜晚,自幼在某孤儿(ér )院长大的(de )敦也(山田凉介 饰(🚿))(Ⓜ)、(🦐)翔(📍)太(🦕)((👛)村上(shàng )虹郎 饰)和幸平(píng )(宽一郎(lá(🌲)ng ) 饰(😺))(📥)对(🈴)某(🗑)女(🔥)企(💧)业家实(shí )施了抢劫(jié ),由(yóu )于汽车意外抛锚,他们仓(cāng )皇逃(táo )到了一家早已关张的杂(🏑)货(⏫)(huò(🐽) )店(🎥)内(♿)(nèi )躲藏。这(zhè )家名为浪矢杂货(huò )店的(de )铺子(✔)此(⛴)前(🧤)(qiá(📺)n )由(🏸)风(🚚)趣和善的老(lǎo )人浪(làng )矢雄治(西田敏行 饰)经(jīng )营,数十年前(qián )他出于玩笑帮小朋(⚾)友(🎷)(yǒ(👎)u )们(🃏)解(💶)答(🚱)各(gè )种困扰,后来名气越(yuè )来越大,以至(🚫)(zhì(🎤) )于(🏟)有(🆙)人(🎳)专(♓)程(👀)向他(tā )咨询人生(shēng )中的(de )难题。本来从1980年(nián )就该沉寂(jì )的店(diàn )铺,却在三人闯进来后收(⛷)(shō(🌵)u )到(🛒)了(🎨)(le )烦(🥎)恼咨询信。随后敦也等(děng )人发(fā )现,这些(xiē(🤖) )信(🚆)件(🅱)竟(🍿)然(🐷)来(👫)自遥(yáo )远的(de )过去。神(shén )秘的夜晚,迷途(tú )青年(nián )执笔为他(tā )人排忧解难,他(tā )们的(de )命运(🎨)和(🚚)这(💠)(zhè(🏫) )家(😥)解(🚃)忧杂货店紧紧联(lián )系在了一(yī )起……(⛷)

    本(🏦)片(🕍)来(🕊)自(🌦)新(🍧)片(👞)(piàn )场创作人(rén )吴晋(jìn )超,他担任这部(bù )影片的导(dǎo )演、编剧、美术以及(jí )剪辑。出(🌌)(chū(🈷) )品(🐯)方(🥏)(fā(🛶)ng )为(😆)BITONE。

    From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs

    一场矛盾重重的斗羊(yáng )大赛(sài ),一次心机(♉)四(⌛)伏(🍝)的(🐇)厨(🌃)艺(🌳)比(bǐ )拼,到底由谁(shuí )来决定黑山羊的(de )命运(yùn )?

    残忍的(de )杀戮在露营地展(zhǎn )开,这一切源(🐦)(yuá(🦍)n )自(🧚)于(💖)一(🚶)个(🚕)被诅咒(zhòu )的面(miàn )具。这副(fù )面具辗转穿(🍌)梭(🍶)于(🚰)每(🔂)个(🏥)(gè(💁) )角(🚟)色,将(jiāng )唤醒他们最深沉的欲(yù )望。本片(piàn )内容(róng )涵盖恐怖、性喜(xǐ )剧甚至是(shì )音(🥕)乐(📶)(lè(🍤) )剧(😚),将(🌀)令(🈁)观众深(shēn )陷其中。

    일반회사와 조금 다른 경(🍯)훈(🥒)의(📗) 회(🍥)사(🏯).

    Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

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