首页 / 《野草》

宇宙犯罪者ベ(🧞)ムルと(💭)その(🕵)一味を追って地球に(⚓)やって(🔠)きた(🐻)宇(yǔ )宙の警察と呼ば(🏚)れるス(🙉)パン(🕶)デクサーの一人スパ(♍)ンデク(😋)サー(💥)Ａは、ベムルたちに(⛱)襲われ(🗿)てい(🔐)た地球の捜査官(📥)(guān )・(⏪)目(mù )白を助(zhù )けるが、その(⬅)ため(😈)にベ(🍢)ムルたちを逃がしてし(🐁)まう(🍊)。目(mù(🚈) )白の協力のもと、地球に残(🌨)って(💯)ベムルを倒そうとす(🆙)るスパ(🏫)ンデ(💽)クサーＡの前に、宇(🐢)(yǔ )宙の(🔩)犯罪(🔪)者(zhě )たちがスパンデ(🍽)クサー(🌾)たち(🛁)を倒すために作った(🈴)人(rén )工(♿)生命(💅)体ゾーラが現れる。ス(🙈)パンデ(🍜)クサ(🧝)ーの弱点の物質(🛃)で作(🎌)(zuò )られたゾーラに敗(bài )北し(💂)たス(🍶)パン(🏐)デクサーＡは、ゾーラ(🍖)に拉(🍐)致(zhì(👵) )され壮(zhuàng )絶な拷問を受ける(🅾)。そし(⛹)て残虐な性格のゾー(🅱)ラは、(🦆)目白(🏀)を捕らえて、家族に(⌛)危害を(👈)加え(🐅)られたくなければス(🔵)パンデ(🔙)クサ(🍏)ーＡをその手(shǒu )で殺(🛍)(shā )すよ(🍗)うに(🏺)命(mìng )令するのだった(📟)。

大学毕(🤓)业没(🚞)工作的晓丽，跟父(🚈)亲生(🈷)活在一起(qǐ )，整天(tiān )闲在(zài )家(🥏)里玩(🎌)(wán )游(🏽)戏(xì )看漫画，四(sì )体不勤(⚡)，非(fē(🤲)i )常懒(🔭)(lǎn )散。根(gēn )据秋(qiū )冬春夏(xià )四(🍐)季(jì(🌤) )变换的自然规律，影片(🏮)讲述了(📿)晓丽(💒)是如何一步步走出家(🍻)门勇敢(🐠)(gǎn )走(👿)向社(shè )会的(de )......

故事讲(jiǎ(🥗)ng )述年(niá(🍠)n )轻记(🎌)者杰伊(yī )·巴哈杜尔(📬)(ěr )(彼得(🛩)斯饰(💆))偶(ǒu )然遇(yù )到曾经(jī(🐝)ng )叱咤(zhà(⬛) )风云(🗝)的(de )战地(dì )记者(帕(🐏)西诺(🏁)饰)。在一番沟通后，他选择前往(⏺)索马(😊)里采(🛁)访。

前滑(huá )雪俱乐(lè )部种(🚞)(zhǒng )子(🍟)选手(🏘)(shǒu )，现(xiàn )任雪场无照(zhào )小商贩(🔪)的女(🔌)(nǚ )孩雅(yǎ )琪捡到(dào )了(🐂)一(yī )个(⏪)来自(📂)(zì )异世(shì )界自称滑雪(🃏)冠军的(🧦)英俊(〰)青年穆勒。雅琪为了骗(💮)穆勒的(🦀)装备(🍦)和技(jì )术去参(cān )加比(💼)(bǐ )赛拿(🔴)奖(jiǎ(🐅)ng )金，谎称帮夺冠(guà(♒)n )就可(🤸)以解除(🧜)(chú )他身上的“诅咒(zhòu )”送(🍒)他(tā(🍥) )回家(jiā )。于是(shì )在雅(yǎ )琪“身经(🥘)百战(🍐)”的五(🧦)菱宏光里开始了他们边卖货(🔸)挣钱(🚭)边训练的(de )艰苦同(tóng )居生(shēng )活(😥)。

电影(🗃)《新港故事》是一个时间(📑)(jiān )跨度(😲)(dù )与(🐨)香港(gǎng )回归(guī )20年同时(🏷)(shí )段的(🎇)(de )故事(🎞)，讲述了坚强的香港女(📬)人汤美(📜)娟面(🛶)临丈夫被谋杀，自营船(👻)(chuán )厂濒(✍)临(lí(🦃)n )破产(chǎn )的困境(jì(🗾)ng )奋力(🧑)(lì )拼争，在富(fù )家子弟苏振(zhè(🍗)n )华的(🛥)帮助下(xià )终于(yú )东山再(zài )起(💬)，二人(🤓)携手(🅱)共(gòng )同谱写了一段凄美感人(🗑)的爱(👈)情乐章。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.

On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.