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  • 《爱情神话电影》
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    54岁的(🚗)凉子(💟)((💚)中(zhō(🐾)ng )山(shān )美穗 饰)是一名小(🙂)说家,一(🎺)天,她(🔐)(tā )突(tū )然被医生(shēng )诊断患上了(🏖)阿兹海(🚻)默症(🔈),面(miàn )对可怕的(de )病魔,凉子决定利(🏢)用自己(🛺)(jǐ )所(📕)(suǒ )剩不多的(de )时间,完成她人生中(🐓)的最(zuì(💜) )后(hò(🔚)u )一部小说(shuō )。在写小说之(👓)(zhī )余,凉(👻)子在(zà(🌙)i )大(dà(📵) )学里担任(rèn )讲师的职务(🗾),一次下(🤩)课后(hò(😛)u ),凉子(📏)和学(xué )生们来到居酒(jiǔ(🎉) )屋小聚(💎),在(zà(🔉)i )那(🌫)里邂(🕤)逅了名为昌海(金(jīn )材(🎸)(cái )昱 饰(🐷))的(🈳)(de )韩国留学生。

    妻子失踪,丈(zhàng )夫((📙)孙正(zhè(🐖)ng )宇)(📣)寻找妻子多年,却意(yì )外(wài )的卷(💐)入了(le )一(🕋)宗刑(🥚)事案件,孙在寻找(zhǎo )妻(qī )子的过(🔝)程(chéng )里(🧐)发现(🥄)了一个贩卖人体器(qì )官(🅱)(guān )的((🉑)日本(bě(👥)n ))组(♌)织并深入(rù )调查,自己(jǐ(🧦) )却(què )身(🕊)陷重围(😽)(wéi ),最(🔛)后协助追(zhuī )捕自己的警(🛣)(jǐng )官刘(♟)武火(🍟)击(😕)(jī )败(🥒)犯罪分子并(bìng )救一个面(⛅)临(lín )死(🕔)亡的(📖)小女孩儿……

    On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.

    一个(gè )年(nián )轻女(🏜)孩爱(à(🔫)i )上了(🧟)一个比他大八岁的男(nán )人(rén )。

    In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web.

    贤(📧)真搬(bā(🔋)n )进了(🙃)破旧不堪的小镇公寓(yù ),由于隔(㊗)壁(bì )邻(📴)居的(📜)吵闹声,睡不着觉(jiào )。但是公寓(yù(🚱) )管理员(😸)告诉(😟)贤(xián )真,整栋大(dà )楼(lóu )并(🔗)无其他(✡)(tā )租客(📶)。怪事(🌕)接(jiē )二连三而来(lái ),所有(🏯)的一(yī(😨) )切似乎(🤢)都指(👲)向(xiàng )了叫珠熙的(de )神秘女(🦆)子。

    When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

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