“假如音(yī(🏰)n )乐是爱情的食(shí )粮,请继续演(🛃)(yǎ(🚙)n )奏(zòu )吧!”以配(pèi )乐(lè )著称并(🍝)为(💋)莎(shā )士(shì )比亚爱情喜剧(jù(📨) )《爱(🍚)的徒劳》及《爱的胜利(lì )》(即《无(🍗)事(🎾)(shì )生(shēng )非》)注入(rù )无(wú )限(🚃)活(🌦)力的超(chāo )人(rén )气导演克里(🥨)斯(🤩)(sī )托弗•拉斯康(kāng )贝(Christopher Luscombe)携(🐚)创(🗂)作(zuò )团队重返埃文河(hé )畔(🌺)斯(🏚)特拉福德(dé )的皇家莎士比(🏖)(bǐ(🏷) )亚剧团,执导(dǎo )莎翁另一部滑(🤝)(huá )稽又心酸的单(dān )相思爱情(💄)故(🎡)事(shì ):
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
子どもに夢(mèng )を与(♓)え(☕)、想像(xiàng )力(lì )をはぐくむ(🤹)コ(🐧)ンテンツ作(zuò )りをめざして(📺)、(🤷)キャラクターアニメーシ(👹)ョ(㊙)ンを中心にデジタル絵本(🥤)や(🌗)ARといったアプリなどを通し(😟)て(🚕)、エンタメから知育まで(🚲)幅(😙)(fú )広く活動しているスタ(🚝)ジ(🤼)オななほしが、ジャンルや(🆖)メディアを問わず、ものづ(🕔)く(❎)りを手掛けるウサギ王と(🏴)制(⛩)作(zuò )。どこの家にもある縁(🥦)起(📝)物(wù )たちと、彼らが動くさ(😣)ま(🏻)を見(jiàn )た子どもたちとの(👙)交(🎀)流を、躍動感いっぱいに(🈷)描(🌨)いたドタバタコメディ!
牧江(🐇)村(🙀)郊野(yě )山藏有一怪,赤面獠(🐇)牙(👭),名(míng )曰垃圾人,他身(shēn )世神(🎃)秘(🔚),以垃(lā )圾为食,日遇(yù )村妇马(🧤)秀娟,将其掳掠。马(mǎ )秀娟通过(✂)与(🤛)垃(lā )圾人的交往,发现他虽(🎰)丑(✴)陋(lòu )骇人,却心地(dì )单(dān )纯(👭)。但(🏆)天不(bú )遂(suí )人愿,“单纯(chún )”的垃(🔆)圾(🍢)人却(què )将马秀娟视为(wéi )配(💻)偶(🧛),囚于废(fèi )弃厂房。矿山(shān )老(🥤)(lǎ(🎞)o )板徐东南徐(xú )西(xī )北两兄弟(😫)欲(😇)借(jiè )炸山除垃圾人(rén )之名(🦖)在(⏰)野山非(fēi )法拓矿,全然(rán )不(🎼)顾(🛬)马秀娟安危(wēi )。而垃圾人通(tō(⛱)ng )过马秀娟逐渐(jiàn )了解人类的(☝)尊(🐷)(zūn )重与爱,遂将(jiāng )其放归牧(🕌)江(🚬)村(cūn )。马秀娟得知(zhī )徐东南阴(🅾)谋后(hòu )为救垃圾人与(yǔ )之(zhī(🍧) )抗(🦖)争,最终(zhōng )被(bèi )绑于山上,垃(🍛)(lā(💱) )圾人为救马秀(xiù )娟与徐东南(🚚)死(sǐ )命相搏,后被(bèi )徐东南炸(🔲)死(💾)。环(huán )保组织声明(míng )垃(lā )圾(♉)人(📂)出现乃牧(mù )江村的环保意(🚐)(yì(🍦) )识薄弱之恶果(guǒ ),垃圾人本无(🔇)(wú )罪,罪在人心对(duì )环境的态(🧠)度(💶),并呼吁民众善(shàn )待环境。
电(👭)影(🎬)(yǐng )讲述了天蛊门(mén )蛊师蓝左(⬅),于(yú )70年代初在苗疆(jiāng )逃亡时(☝)滚(🎰)入未(wèi )知山洞。多年(nián )后(hò(😿)u ),在(🐘)千年一(yī )遇(yù )的血月之夜,蓝(♉)左曾经的队(duì )友刘洪绑架了(🕥)(le )8名(❄)至阴女性炼(liàn )“活人蛊”,企(qǐ(🍁) )图(😛)复活上古(gǔ )时(shí )期的蚩尤(🍓),让(🛰)(ràng )血蛊门东山再(zài )起、扬名(🦁)世界(jiè )。就在此时,当年跳崖的(🎑)蓝(💏)左(zuǒ ),返老还童成(chéng )“小鲜肉(🕙)”重(🥃)(chóng )现人间,联手(shǒu )以苗医身份(🥈)隐(yǐn )匿江湖的妻子(zǐ )蓝姨,高(🤐)校(🙌)叛(pàn )逆学生妹蓝湘(xiāng )婷,与(🥘)刘(📶)洪对(duì )决(jué )一场大虫师(shī )之(🖱)(zhī )异形大战,以(yǐ )阻止这场人(💄)间(🏩)(jiān )浩劫。
老刑警(jǐng )顾老九接(🎎)受(🛁)上(shàng )级命令,带领(lǐng )文(wén )楠(🦅)和(🌺)方小米(mǐ )开(kāi )办无忧事务所(💈)(suǒ )掩护身份,追(zhuī )查假钞案件(🔴)。无(🈷)忧事务所表(biǎo )面帮助客户(🔘)排(🍃)忧(yōu )解难,解决生(shēng )活琐事,实(🚢)则(zé )伺机接近假钞(chāo )案件中(🕤)心(🏁)的万(wàn )家。万家对警(jǐng )方戒(👵)备(💆)心很强(qiáng ),由于万董事(shì )长(zhǎ(📿)ng )卧床不起,引(yǐn )发了一系列(liè(🐸) )争(🍔)(zhēng )夺家产的风波(bō ),万家继(♿)承(🐌)人(rén )相继身亡,整(zhěng )个公司(💚)都(🔅)变得(dé )人心惶惶。无(wú )忧(yōu )事(📞)务所成员(yuán )逐(zhú )步渗透,发现(🕐)(xià(👩)n )万家每个人都(dōu )有着不为(❇)人(😊)知(zhī )的秘密。危机(jī )再次升级(🆎),协助(zhù )警方的无忧事(shì )务所(🎳)和(😴)万家犯(fàn )罪团伙的正面(mià(🖕)n )较(🌺)量一触即发(fā )……
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
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