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《疯狂暑(🌔)期之(😅)哈(hā(💓) )喽(lou )怪物》故事梗概(♿)：三(🍈)(sān )个(🥥)(gè )小孩在参加暑期夏(🚕)(xià )令(🤓)营时突然失踪，家(jiā )长(🛁)们报(📒)警寻找孩子的(de )下落。三(🏗)个孩(🕔)子走进(jìn )原始森(sēn )林迷失(🕳)了方向，小(xiǎo )野(yě )人救了他(😙)们，并(🌒)教(jiāo )会(huì )了他们(⛪)很多(💋)生存(🌘)技(jì )能(néng )，后来一(🤰)起与(➖)笨贼斗(dòu )智斗勇，并和(🎗)警察(👂)成(chéng )功地抓(zhuā )住了坏(🚸)人。

在(🦂)(zài )法(📷)院擔(dān )任公設辯(🤸)護人(😀)(rén )的(😃)李慧(huì )貞，接任一(🐚)樁由(💙)名(mí(🎖)ng )律(lǜ )師王國超中途解(😪)除(chú(🔖) )委(wěi )任(rèn )的青少年殺(🅰)人案(🦍)。

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

由于基因突变，两兄(xiō(🏬)ng )弟中(🌲)，弟弟从小体温(wēn )异于常(chá(🍅)ng )人，拥有着冰(bīng )系超能(néng )力(📷)，而哥(🏃)哥拥有的(de )则(zé )是(⬅)火系(🤜)超能(🏡)力，阴(yīn )差(chà )阳错(💰)兄弟(🦑)二人被分(fèn )开(kāi )。哥哥(💶)被收(📝)养他的日(rì )本人培养(🔉)成了(🌳)一个(🐻)强(qiáng )大的杀(shā )手(🧓)，同时(🕊)中国(🎚)(guó )的一个(gè )神秘(🐢)组织(〽)也在(🐂)(zài )联系着(zhe )弟弟。哥哥受(😤)命劫(📴)(jié )持(chí )了弟弟的恋人(🗃)，再(zà(👥)i )次(cì )见(jiàn )面时两人成(😏)为了(🎷)敌(dí )人，大打出手之间哥(gē(🔳) )哥认(📧)出了弟弟小宇，经历了(🥫)(le )种种(🚞)，最终两(liǎng )兄弟顺(💺)(shùn )利(💞)相认(🕦)并联手打败了(le )敌(📪)人。

不(🐬)管这导演(yǎn )嗑(kē )了什(🔎)么很(🏢)纯的，全(quán )部(bù )都(dōu )要(🧞)给你(🔁)来一(💯)点！在(zài )澳洲这座(🏥)曾经(🔤)被称(😈)作(zuò )「无主(zhǔ )之(👳)地」(🛍)（Terra Nullius）(🚃)的(de )大陆，历史以前所未(🥞)(wèi )见(🏚)的观(guān )点重新诠释：(🤠)当《疯(💱)(fēng )狂麦斯》末日场景(jǐng )成(ché(🐆)ng )为(wéi )难民拘留地，食人(rén )羊(👜)(yáng )成(🚅)为反殖民叛乱份(fèn )子(🏜)，《沙漠(🈶)妖姬》与(yǔ )电视剧(🍄)(jù )《请(📉)喜欢我》有了跨(kuà )时空(⬜)的酷(🍴)儿对话……本片以近(🥎)似DJ取(🌭)样混(hún )音(yīn )之拼贴手(🕠)法，打(🛏)开(kā(🎧)i )了(le )虚(xū )构与史实(🚥)间的(🔘)神秘(🥞)(mì )黑洞，大量援引(🦇)电影(🍸)(yǐng )名(🎨)场景(jǐng )与历史典故，穿(🏈)越时(🐚)(shí )空与各种语境(jìng )，重(❤)写(xiě(🗓) )、改写、乱写，全(quán )面(miàn )毁(🖊)坏观众的三观！这(zhè )是(shì )一(👚)部政(🤛)治复仇预言(yán )，杂揉讽(🃏)刺喜(⛺)剧、生(shēng )态恐怖(👣)与公(🙂)路电影类(lèi )型，写(xiě )下(🐌)澳洲(👠)国族神(shén )话从未(wèi )被(🔞)纪录(🚿)的史诗篇章。

A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.