首页 / 《两个人韩剧》

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

这部电影的故事背(bè(🤠)i )景(🐾)让人(rén )不(⛱)禁回忆起(qǐ(⛺) )《逃出绝命镇(👑)》。一位(wèi )黑(🎣)人男性（杰(👓)森·米切尔(💩)饰(shì )）在周(📳)(zhōu )末的时(🗃)候，因为觉得(🚴)周围只(zhī )有白人(rén )朋(🍡)友(🚥)所以觉(jià(💔)o )得十分紧张(⛎)。当(dāng )然，这(zhè(🚨) )部作品(pǐ(💬)n )与乔(qiáo )丹·(😖)皮尔去年那(🈲)(nà )部符合(hé(🚴) )大众口(kǒ(🦉)u )味的《逃出绝(👔)命镇》不同。智利导(dǎo )演(🐓)塞(📞)巴斯蒂安(⛩)·席尔(ěr )瓦(🌵)是一(yī )个古怪(guài )的人(🥅)，他的电影如(🥞)《女仆》、《水(shuǐ(😔) )晶仙女》、《肮(🎶)脏的婴儿(😼)》都倾向(xiàng )于(💆)剑走偏锋(fē(🦂)ng )，故事开始会(⬆)有(yǒu )点怪(🌜)异(yì )，而之后(⏭)则(zé )会变得更加怪异(👽)(yì(🐛) )。这种(zhǒng )风(🕕)格对于《周末(⛩)生日游》意(➗)(yì(🌿) )味着什(shí(🦓) )么呢？还不(🙃)(bú )知道。但我(🥘)们非(fēi )常期(🌠)待(dài )这种(⏫)不(bú )确定性(🕎)，况且演员阵(zhèn )容中还(🎼)(há(🐼)i )有克里(lǐ(🚿) )斯托弗·阿(🔯)伯特、迦(jiā )勒兰德(dé(🏫) )里·琼(qióng )斯(🥧),迈克尔·塞(🏺)拉和安·道(🔤)德(dé )。

20世纪(➿)(jì )福克斯最(💉)近(jìn )买下了Alma Katsu下部小说(shuō(🖇) )《饥饿(è )》（(🐀)The Hunger）的电(diàn )影(🕞)版权，这部小(xiǎo )说以《行(🏖)尸(🔰)走肉》的风(🏰)格叙述了北(👄)(běi )美历史(shǐ(👲) )上最恐怖(🧕)的(de )一段“食人(🚄)”历(lì )史。

Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.

Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.

藝(yì(🌚) )術家自(zì )古(🌮)皆(jiē )寂寞(🈁)或許是境界(♉)(jiè )，人到(dào )中年萬(wàn )事(🤔)憂(♊)則是現實(👞)。在畫(huà )室洋(💭)洋(yáng )灑灑呈(chéng )現自由(❤)雄風的裸(luǒ(🦌) )男畫(huà )作令(💳)他(tā )一舉成(🛴)(chéng )名，在家(🐔)面對前妻懷(💪)着新歡(huān )骨肉、與女兒(🛬)相處(chù )尷(🕍)尬卻令他一(🎧)籌(chóu )莫展。貝蒙特的寂(📔)(jì(📡) )寞，在於如(👴)何在(zài )著名(🙌)畫(huà )家與單(🐮)親爸(bà )爸(🌙)雙重身份、(👫)藝(yì )術創作(🔯)(zuò )與家庭生(🎄)活(huó )之間(🦔)取得平衡。維(⏭)羅（《電影就在(zài )街角(😍)》，35 屆(🐒)）找(zhǎo )來(🙀)合作(zuò )多年(🌫)的(de )編劇兼美指好友對(🐿)號(hào )入座，還(🏄)原藝(yì )術家(💣)有血有肉的(🐪)矛盾(dùn )本(📁)性，在出世(shì(😨) )與入世的兩難外，毋忘點(🎅)點(diǎn )超現(🛸)實(shí )的幽默(🍀)。

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.

Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.