泣船威利
大卫·霍华德·桑顿,泰勒·珀西,布莱恩·奎恩,凯莉·海曼,杰西·科夫,乔·德罗萨,汤米·贝赫托德,迈克尔·利维,查尔斯·鲍威尔,杰西·珀西,萨拉·科普金,肯尼思·马哈拉杰,埃米·舒马赫,杰梅·沃伊,贾里德·约翰斯顿,杰森·洛克哈特,贾罗德·林齐,吉尔布兰多·阿塞韦多,贾拉斯·康罗伊,阿利森·瑟瑞博夫
喜剧片
2025/美国
正片
2人三足国语
车婉婉,张家辉,朱茵,罗兰,吴浣仪,潘芳芳
喜剧片
2002/中国香港
正片
烂戏真情
Itkron,Pungkiatrussamee,Mind,Atitaya,Tribudarak,平西朋·艾格朋皮西,格兰妮·拉素冰帕索尔,三亚·库纳康,Boriboon,Chanrueng,Ratklao,Amaradit,Punch,Tipanan,Nilsiam,Jorin,Khumpiraphan,Taaom,Benyapa,Unjit,Fai,Nattaya,Buttura
喜剧片
2024/泰国
正片
再帮个小忙
布蕾克·莱弗利,安娜·肯德里克,米凯莱·莫罗尼,亨利·戈尔丁,艾莉森·珍妮,安德鲁·兰内斯,巴希尔·萨拉赫丁,伊丽莎白·帕金斯,艾莱娜·索菲亚·里奇,亚历克斯·纽厄尔,阿帕纳·纳彻,凯利·麦柯马克,泰勒·奥特加,Mitch Salm,伊恩·霍,Kate Rachesky,彼得·阿佩塞拉,乔舒亚·萨蒂尼,Jade Pirovano,Lorenzo de Moor
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2025/美国
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鬼镇灵异杀人事件
凯瑟琳·坎宁安,钱斯勒,莎姬·贝兹
喜剧片
2018/欧美
HD中字
酒乡
艾米·波勒,瑞秋·德拉彻,安娜·盖斯泰尔,玛娅·鲁道夫,保拉·佩尔,艾蜜莉·斯皮维,杰·拉森,蒂娜·菲,玛雅·厄斯金,乔·格拉瑟,詹森·舒瓦兹曼,切莉·琼斯,利兹·卡科斯基,RJ·沃克,苏妮特·玛尼,格雷格·波勒,弗兰西丝·卡利耶,威廉·W·巴伯,玛塞拉·布拉吉奥,盖尔·甘布尔,杰克·汉森,约翰·洛巴托,万恩·姆约维奇,里克·理查森,詹姆斯·D·韦斯顿二世
喜剧片
2019/欧美
HD中字
曼(màn )道(🤑)和(hé )他的成(🐩)年侄子杰克(💈)逊(xùn )使用星体投(🙃)射来扭转(zhuǎ(🎊)n )鬼魂在万圣(🎠)节的死亡(wá(🔯)ng )。
A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.
曾經意氣風(📑)發的(✝)(de )刑(xíng )警(📰)豪(háo )哥,數年前因(🕯)(yīn )一(yī )樁殺(🤭)(shā )妻案的偵(💉)辦疏失而遭(🕣)(zāo )受打擊,再(🤒)也不(🚳)到前(qián )線偵(🥔)辦。突如其來(😣)(lái )的(de )『未(wè(🏘)i )成年少女砍(⏱)人(rén )案(àn )』(🌃),卻再度將他(🛄)捲入深黑(hēi )的漩(🚕)渦中。
Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.
巴勒斯(🐂)坦(tǎn )電視台(🍛)攝製臥底肥(♋)(féi )皂(zào )劇,連(🐟)以色列婦孺(🛐)(rú )都(dōu )晚晚(wǎn )追(✳)看。編劇因情(⏸)節背(bèi )離革(✔)命而辭職,監(🔱)製(zhì )的多口(👒)侄仔(🐮)助理受(shòu )命(mìng )執筆,頻頻(🐾)借女角(jiǎo )之(🕥)(zhī )口,向電視(🤟)機前的(de )舊(jiù(❔) )愛示(shì )好,以(🆖)色列(👸)檢查站軍(jun1 )官(🔆)則企圖恃權(🍼)影響劇(jù )情(🚁)發展,以便在(🗽)追(zhuī )看(kàn )的(🔛)嬌(jiāo )妻面前(🈂)自吹自(zì )擂(lèi )。助(💾)(zhù )理即使槍(🏻)抵腦殼,都(dō(😏)u )不肯接受軍(📜)官要求的(de )大(🕷)團圓結局。抗(📯)爭(zhēng ),必須繼續!影(💸)展新(xīn )秀(xiù(🐂) )蘇亞(yà )比巧(🦌)妙調侃以巴(😤)關係(xì ),他的(🛴)喜劇(😣)座右銘是(shì ):要能大笑(🕯),必須(xū )面(mià(🔴)n )對苦痛,並與(🚨)之周(zhōu )旋(xuá(🎍)n )。獲(huò )威尼斯(🍠)地平線(xiàn )單(dān )元(🔔)最(zuì )佳男主(🕗)角獎。
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.
印度(🌥)(dù )每年有超(⬅)过二万宗针(🈵)(zhēn )对女性的(🔓)暴力罪案(àn ),平均(🥫)(jun1 )每二十二分(🛵)钟(zhōng )就(jiù )有(🌈)一(yī )名女性(👛)被强暴,每六(🤸)(liù )小时就有(📟)一名妇女因(yīn )家(✉)庭暴力丧命(🙄)。年(nián )轻(qīng )的(💸)基层女警索(🆖)妮与(yǔ )上(shà(🎺)ng )司卡(👨)(kǎ )帕纳在德里一同接手(🏿)(shǒu )调查不同(🌄)的女性暴力(〽)(lì )事件,在办(⚡)案过程(chéng )中(🔄)(zhōng )往往遭受到了(🎈)重大(dà )阻(zǔ(🚔) )力,无日无之(📐)的罪(zuì )案(à(👋)n )令她(tā )脾气(🤹)暴躁,做事方(👼)式(shì )偏离常规,被(🗼)裁定在(zài )执(🦖)勤中行为不(📆)当,而(ér )私人(😐)(rén )生活也影(🐺)响到(dào )了(le )她(⏭)的(de )职业表现,与丈(🕸)夫已(yǐ )经彼(🍽)此疏离,却要(🧖)被(bèi )迫面对(🥏)他突然的到(😩)(dào )访(🔹)(fǎng )。印度电影少见的(de )写(xiě(🔮) )实题(tí )材,以(🛠)一场一镜营(😤)造(zào )出真实(🛵)迫力,将社会(🥀)(huì )低下层女性受(🛒)到压(yā )迫(pò(🌅) )的问题表露(😡)无遗。