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Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.

对于(📻)(yú )威斯(sī )特与他的搭(🐨)档来说，近(🦑)日道上的(de )纷(💵)扰(rǎo )看起来(🤹)就像是一(yī )般的黑帮(🧔)地(dì )盘斗(🕰)(dòu )争，但随著警方(fāng )派(👿)出(💗)的卧底(dǐ(🧞) )被逮(dǎi )，头号(😴)黑帮索斯(🎅)(sī )开始(shǐ(🔮) )大肆活(huó )动(🤷)，一(🐧)一夺取其(🍋)他势(shì )力拥(yōng )有的神(📂)(shén )秘物件(🚠)，他们才意识(shí )到有(yǒ(🦅)u )人(🍜)企图(tú )夺(🍸)取神一般的(👉)超自然(rá(⛷)n )力量(liàng )，破坏现有的势(🕯)力(♉)平衡。

成(ché(🤒)ng )长中(zhōng )父母也在日渐(🏭)变老，我们(🙇)会(huì )把这(zhè(🐁) )样(🕷)或那样的(🌦)无奈当做(zuò )借口，而忽(🈳)(hū )视他(tā(📣) )们的心理或身体(tǐ )的(⚽)健(🤘)康状况(kuà(🤗)ng )，当(dāng )问题严(😈)重时我们(🚏)(men )又会悔恨(🥩)自(zì )己的(de )冷(🏡)漠(🎉)和粗心，孩(🌧)(hái )子和(hé )父母之(zhī )间(🚄)永远存在(⛺)一种不公(gōng )平，而这种(🚲)(zhǒ(👶)ng )不公平却(🏄)又以一种不(🤭)(bú )协调(dià(⏱)o )的姿势(shì )，却又很和谐(🚐)的(🕖)存在(zài )着(👴)………

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

《杀手卡利》是(shì(👧) )一部拍(pā(⬇)i )摄于(yú )2016年的(🦍)小(🍡)成本犯罪(🥦)题材(cái )电影，由《美国重(🔔)案》的理查(🚽)德(dé )·卡布莱与(yǔ )《火(🆙)(huǒ(🎺) )线警探》的(🤥)瑞恩(ēn )·多(😡)西联合(hé(🕐) )主演(yǎn )。

青(🎡)年画家岸春(🎛)(chū(♐)n )自小在内(🌳)蒙(méng )古长大，当地的风(💤)土(tǔ )人情(💌)(qíng )造就了(le )他的艺术才华(😈)。然而(ér )在(🚀)他(tā )的内心(🏍)(xīn )一直有(🎋)着一块难以抚(fǔ )平的(🕕)(de )伤(🎃)痕，过早缺(⛅)失的母爱让这(zhè )位人(🚺)(rén )前光鲜(🍹)的艺术家在(⏹)情(🗑)(qíng )感里陷(🙄)(xiàn )入迷(mí )失，常以酒精(🈸)为伴麻(má(🗯) )醉自我(wǒ )。当(dāng )受一位(🗿)蒙(🚺)古老人所(🌽)托(tuō )，为他英(🚀)年(nián )早逝(🚎)(shì )的母亲(🌶)画一幅肖(xiā(📖)o )像(🦐)，这个母(mǔ(💰) )亲的(de )肖像却怎么都画(🤪)(huà )不出神(🌤)。对(duì )于母爱缺少感触与(🍣)理(lǐ )解，成(🧙)了他(tā )无法(🖤)落笔的难(🛀)题。心(xīn )烦意(yì )乱之时(👇)(shí(🏰) )，岸春遇到(🎪)了单身妈(mā )妈如(rú )西(📱)，如(rú )西和(🥌)儿子的温情(📱)不(⬅)仅(jǐn )让他(🍌)(tā )感受到母爱的温暖(🌘)也(yě )让他(🏊)找(zhǎo )寻到(dào )了爱情的(🏯)味(🐇)道。但是(shì(🍪) )，母亲(qīn )到底(🐃)(dǐ )为什么(🌼)会从小抛(🚝)弃自(zì )己，在(📁)日(😏)日(rì )夜夜(🔣)(yè )的叩问中，也在(zài )如(🌍)西的介入(🗻)(rù )下，似乎有了意想不(bú(👮) )到的答案(🌩)，岸春也踏上(📞)寻母之路(🏆)(lù )。母(mǔ )亲的肖(xiāo )像到(🤾)底(✌)能否兑现(🗺)给蒙(méng )古老(lǎo )人的期(🐪)(qī )盼？岁(🏳)月里母爱的(🎓)真(🔵)(zhēn )相会(huì(🏔) )怎样揭(jiē )开？原来，岸(📖)春的母(mǔ(🥋) )亲一(yī )直以一个特殊(🐱)的(🍻)身份(fèn )出(🎍)现在(zài )他的(❔)(de )生活里！面(🐞)对时间、面对生(shēng )命(🍬)的(⏲)(de )脆弱多变(❎)，只想向岁(suì )月祈求，时(🕯)(shí )光你(nǐ(🎙) )慢些走，让儿子(zǐ )还能记(🔅)下母(mǔ )亲的(de )容颜......

17歲的(🕘)莎拉全(quá(🐜)n )心投入學校(xiào )的戲劇(🍁)排(🎚)練，赤裸地(📷)(dì )體驗(yàn )舞台上(shàng )和(🥐)生活中的(🖖)暴力。當(dāng )她(💫)試(🥈)(shì )圖揭露(👠)(lù )深藏心中的醜陋秘(👢)密(mì )，高(gā(✌)o )聲呼喊卻孤立無援，於(🌺)是(🗨)在(zài )莎士(🏚)(shì )比亞和華(🦑)格納的經(💫)典(diǎn )劇目中(zhōng )尋找(zhǎ(🎶)o )寄(🌯)託，她想握(🌳)有茱麗(lì )葉的匕首，想(👤)跟隨伊索(💿)德的腳步(bù )殉情而去，當(🚇)她(tā )站上舞台，她是(shì(⚫) )否能對世(💾)界(jiè )展開(kāi )反擊，扮演(⛳)的(🤧)界(jiè )線究(🤦)竟在哪(nǎ )裡？

Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?

2017戛纳影(🎷)展导演双(🎹)(shuāng )周单(dān )元(🐡)闭(🍜)幕(mù )片。美(🤐)国导演吉瑞米(mǐ )杰斯(🌲)(sī )伯编导(😖)(dǎo )作品，丹妮尔麦唐诺(📖)(nuò(🔵) )主演(yǎn )。故(🕖)事描述一个(🍡)乡镇女孩(😋)，追寻(xún )饶舌美国梦的(👁)故(🐊)事。