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青年(niá(🥥)n )画家岸春自小(xiǎo )在内(✂)蒙(🍔)古(gǔ )长大，当地的(de )风土(🌭)人情(qíng )造就(🔳)了他的艺(👫)(yì )术才华。然(🕺)而在他的内(nèi )心一直(👚)有(🐘)(yǒu )着一块难(🕙)以抚(fǔ )平(🤡)的伤痕(hén )，过(🍹)早缺失的(🐭)(de )母爱让这(zhè(🎁) )位人前光鲜的(de )艺术家(💦)在(🤼)(zài )情感里陷(🦀)入迷(mí )失(🏡)，常以(yǐ )酒精(🌁)为伴麻醉(⛩)(zuì )自我。当(dā(🥗)ng )受一位蒙古老(lǎo )人所(🥒)托(😀)，为他英年早(💉)逝(shì )的母(❇)亲(qīn )画一幅(🥇)肖(xiāo )像，这个母亲(qīn )的(🛡)肖像却(què )怎么都画不出(😟)(chū )神。对于(yú(⏭) )母爱缺少(👭)感触(chù )与理(😨)解，成了他无法落(luò )笔(🤬)的(🕗)难题(tí )。心烦(👇)意乱之(zhī(🔖) )时，岸春(chūn )遇(🌷)到了单身(😓)妈(mā )妈如西(🌾)，如西和儿子的(de )温情不(⛑)仅(💞)(jǐn )让他感受(🗼)到母(mǔ )爱(🏻)的温暖(nuǎn )也(🍵)让他找寻(🌭)到(dào )了爱情(👬)的(de )味道。但是，母亲到底(➕)(dǐ(🧗) )为什么会从(🥣)小(xiǎo )抛弃(🔕)自己(jǐ )，在日(🧞)日夜夜(yè(🦅) )的叩问(wèn )中(🌊)，也在(zài )如西的介入下(xià(🧠) )，似乎有(yǒu )了(🐼)意想不到(💷)的(de )答案，岸(à(😨)n )春也踏上寻母(mǔ )之路(🎌)。母(📷)(mǔ )亲的肖像(👱)到底(dǐ )能(📴)否兑现(xiàn )给(🌭)蒙古老人(🧛)的(de )期盼？岁(🤬)(suì )月里母爱的真(zhēn )相(🍟)会(🚋)怎样(yàng )揭开(🌜)？原来，岸(📏)春的母(mǔ )亲(🕦)一直以一(🎻)个(gè )特殊的(🐫)身(shēn )份出现在他的(de )生(🤽)活(🚩)里！面对时间(🏨)、面(miàn )对(💥)生命的(de )脆弱(🔑)多变，只(zhī(🚅) )想向岁月(yuè(😁) )祈求，时光你(nǐ )慢些走(zǒ(💝)u )，让儿子(zǐ )还(🍉)能记下母(🎑)亲(qīn )的容颜(🐔)......

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

明(míng )朝嘉靖年间，倭患(♉)不(🚚)止(zhǐ )。朝廷惊(🙄)闻有(yǒu )民(😻)间组织(zhī )和(🍃)朝廷官员(🔐)里(lǐ )通倭寇(🈶)，渔利国家，于(yú )是责令(🗻)六(💥)(liù )扇门负责(♈)侦查(chá )并(🆚)找出官(guān )员(👡)通倭证据(🧙)。六扇门小(xiǎ(🕶)o )捕快陆小虾临(lín )危受(🚔)命(🍛)，同时被六扇(🛬)门(mén )总捕(🥒)头于(yú )初心(🏳)派人追杀(⛸)(shā )，危难之(zhī(🖍) )际被“山河兵(bīng )团”的七爷(🍽)所救并带回(🐩)(huí )兵团之(🚉)(zhī )中。

In order to discover the truth about his brother's disappearance, a young man returns to his hometown to find answers.

Four childhood friends, all married with no passion left, get together in a high school reunion dinner. Between laughs and drinks, they all agree that they love their wives but no longer desire them. Together they hatch an illogical project: a secret club for men who want to cheat, so that they themselves can regain lust for their wives.