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讲述(🌨)了(🏕)(le )少(shǎo )女(nǚ )小(🐲)(xiǎo )鹿(lù(😅) )遁入神秘幻境，经历了(😕)一系列光怪陆离的(❄)诡(🥍)异事(shì )件(jiàn )，一(yī )次(🏌)(cì(🧗) )次穿越神秘的光门(📜)，最(📎)终从不明身(🦕)份者的(⛓)死亡威(wēi )胁(xié )中(zhōng )逃(🍘)(táo )离的故事。为了保(🐅)证(🖱)绝佳的视觉效果，众(🚦)乐(🔛)乐影(yǐng )视(shì(🕦) )联(lián )手(🏾)(shǒ(🏂)u )韩(hán )国特效团队，共(🥠)同打造惊险刺激的奇(👶)幻冒险之旅(lǚ )。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

藝(🚅)(yì(✂) )術(shù )家自古皆寂寞(👗)或(🚶)許是境界，人(🐣)到中年(🤕)萬事憂則(zé )是(shì )現(xià(🗄)n )實(shí )。在畫室洋洋灑(📬)灑(🌹)呈現自由雄風的裸(🥉)男(🤽)畫作令他一(yī )舉(jǔ(🏥) )成(🌬)(chéng )名(míng )，在家面對前(💮)妻懷着新歡骨肉、與(💹)女兒相處尷尬(gà )卻(⏲)(què(🤨) )令(lìng )他(tā )一(yī )籌莫(🌛)展(⏫)。貝蒙特的寂(🙂)寞，在於(🍧)如(🌵)何在著名畫家與(yǔ(🎱) )單(dān )親(qīn )爸(bà )爸(bà(😤) )雙(🛀)重身份、藝術創作(💭)與(🚛)家庭生活之間取得(📕)平(😪)衡。維(wéi )羅(luó(🔺) )（《電影(♐)就在街角》，35 屆）找來合(🎛)作多年的編劇兼(jiā(🤐)n )美(🎆)(měi )指(zhǐ )好(hǎo )友(yǒu )對(🏻)號(💁)入座，還原藝術家有(🗯)血(🎒)有肉的矛盾本性，在(🤕)(zài )出(chū )世(shì )與(yǔ )入(rù(💪) )世的兩難外，毋忘點(😼)點(📨)超現實的幽默。

A group of social media influencers go to an afterparty in a Hollywood Hills mansion only to find themselves the target of a ruthless masked killer.