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  • 《爸爸去哪儿1》
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    1999年(nián ),一(yī )部(bù )电(🚷)(diàn )影永(🔝)远改变(💻)了恐怖(🚕)片的历程。布莱尔女巫项目是(➗)一个(👉)很(🔤)好(hǎo )的(👝)(de )骗局 - 或者是?一部纪录片小组前往(⤵)马里(♏)兰(🎟)州(🎼)Burkittsville找出(🌊)布莱尔女(nǚ )巫(wū )项(xiàng )目(mù )背(🥟)(bèi )后(hò(🌸)u )的(de )真(🖨)(zhē(✋)n )相(xiàng )。

    暴(👕)(bào )力(lì )の街に朝は来ない―(🐑)。激動の(🚾)大阪裏(🌝)社会を(✴)牛耳る喧嘩屋集(jí )団・バト(🎃)ルファ(♌)ミリー(🕍)。金・権(😈)力・暴力―。孤独な狼たちは(🧐)今(jīn )宵(🐮)(xiāo )も血(👊)(xuè )に飢(jī )え、力を求める―

    When grunge punk UCLA history major, Kate Jensen researches her great-grandfather's descent into hysteria at Lima Peru's infamous "Casa Matusita", she unwittingly starts a dangerous journey of discovery. En route, she meets former priest, Father Robert who has his own agenda with the alleged cursed property. Together, they embark on a trek through time, unravelling the truth and the connection to Robert's brother, who perished at the house under suspicious circumstances.

    馬可認(😀)罪殺(🤼)死(🏗)自(🌋)己的(📝)兒子,但不肯說出動機(jī ),儘管他反對(😱),法庭(🤤)仍(🍞)為他指(🙈)派辯護律師崔斯坦。隨著律師(🔴)(shī )的(de )調(👾)(diào )查(🐚)(chá(🐇) ),一(yī )樁(👤)(zhuāng )家(jiā )庭(tíng )秘(mì )密(mì )昭(zhāo )然(⬅)若揭,他(🚈)犯下的(🙏)案子與(🎮)鎮上的連續殺人案是否有關(📤)?

    《深(shē(🔀)n )夜中的(🕞)SUPERCAR》是一部(⛳)关于汽车梦想的幻想剧,故事(🕷)舞台设(🚬)定在(zà(💮)i )日(rì )本(běn )爱(ài )知(zhī )县(xiàn )长(zhǎng )久(jiǔ )手(📂)(shǒu )市(⛑)(shì(⛄) ),女(🤨)主白(👵)雪(山本美月 饰 )是一位汽车设计(🌆)师,她(🚝)很(🔺)憧憬日(💨)本国产车史上最高杰作“NAGOYA 2000GT”,期待(🔐)自己也(🕌)能设计(🅾)出那样(🗺)的车(chē ),可(kě )是(shì )她(tā )突(tū )然(⏮)(rán )被(bè(🍖)i )调(diào )到(🎆)(dào )汽(qì(🍄) )车(chē )开发团队工作,在她访问(💾)展示2000GT的(⏲)博物馆(👵)时,遇到(🚡)了企图偷走(zǒu )2000GT的混血男子里(🌀)卡尔德(🎙),还有一(⚪)个身穿白色赛车服套装的神(shén )秘(mì(🦍) )男(ná(🕷)n )子(🃏)(zǐ(❇) )突(tū(🍢) )然(rán )出(chū )现(xiàn ),让(ràng )整(zhěng )个博物馆像(🦋)被施(🗻)了(🙈)魔法一(🏌)样,变成一个不可思议的空间(🥄)。

    結城美(🥣)音は、(🍳)チャッ(⚽)トレディのバイトをしなが(🦃)ら生活(🏀)費を稼(🛬)(jià )ぐ音(🖥)(yīn )大(dà )生(shēng )。

    Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@

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