20之后
江宜蓉,林孙煜豪,郑靓歆,叶慈毓,贺一航,谢怡芬,林子熙,颜毓麟,蓝钧天,吴岳擎,胡释安
港台剧
2018/台湾
已完结
铁探
袁伟豪,惠英红,姜皓文,黄智贤,蔡思贝,杨明,梁竞徽,许绍雄,王君馨,邓佩仪,吴廷烨
港台剧
2019/香港
已完结
好运来
港台剧
2024/台湾
更新至83集
愿望
江宏恩,黄少祺,陈冠霖,楚翔,江祖平,霍正奇,江国宾,林佑星,林萱瑜,黄玉荣,李睿绅,陈子玄,李家庆,华千涵,张琴,何依霈,陈谦文,罗巧伦,韩宜邦,德馨,游诗璟,廖苡乔,夏语心,尹昭德,郭亚棠,许钧钧,刘晓忆,邹承恩,邱子芯
港台剧
2024/中国台湾
更新至203集
极速恋人2
纳里特·普罗葆潘,阿斯雷·瓦塔纳雅库,苏帕努·洛瀚帕尼,帕塔拉菲尔·万洛普西里,潘塗瑞,赫马维奇·卡皖纳姆派潘,塔纳朋·艾恩坤柴,克睿廷·基缇贾鲁皖纳奎尔,纳塔彭·帕松,平·欧吡尼霆·利拉威尔缇差步缇瑞,托普滕·苏巴孔·萨霍霍尔,基蒂萨克·瓦塔纳维察库,S,Vorarit,Vaijairanai,Milk,Natchanon,Supravorawong,安滃·喀萨玛·坎姆塔尼缇
港台剧
2025/泰国
第1集
星期五俱乐部17:情爱理念之旧书
赫马维奇·卡皖纳姆派潘,娜妮达·缇查希
港台剧
2025/泰国
第2集
80年(🐼)(nián )代末(mò(🛃) )期,生活在(zài )宁夏(❕)矿区的(de )小(🎧)两口陈志(🎟)(zhì )平(张多饰(shì(📺) ))和(hé )周(🎥)淑萍(píng )((🔑)卢(lú )珊(🗾)饰)过着(🍑)(zhe )平凡又(yò(🏆)u )安宁(níng )的(📴)生活。但(🚭)(dàn )嗜赌如(🌺)命的(de )大伯(🥉)哥(杜(dù(🏌) )旭东饰(🌾))被(bèi )人(😔)追债追到(🏧)家里,紧接着父亲(㊗)(郭九龙(💳)饰)被气(🕳)死、母亲(刘爱(🏋)玲饰)被(📏)逼疯、就连陈志平也在矿(🕎)上(shàng )受伤(shāng ),加上(🔨)(shàng )早年(niá(🐖)n )就因车(chē(🎫) )祸下(xià )身瘫痪(huà(👎)n )的弟(dì )弟(😨)陈志(zhì )军(🆎),一家人全体(tǐ )陷(🤺)入困境,只(🎨)有周淑萍(🍔)(píng )一个(🐸)(gè )女人担(😤)(dān )负起(qǐ(🤗) )了拯救(jiù(💲) )家庭(tí(🎍)ng )的重任(rè(👑)n )...
本片(piàn )讲(🚛)述了(le )三个(💘)(gè )失意(✋)的女人(ré(🕒)n ):不愿意(📨)被(bèi )客户潜规则(⛵)(zé )而愤然(〰)辞掉(diào )工(🦔)作的美丽御姐盛(🦇)绮珊、一(😪)个月被炒五次鱿鱼的职场(🍃)小白夏思佳、因(🧦)为使用飞(🌯)机稿事件(🏵)而身败名裂的(de )广(🎅)告(gào )界大(🏆)神(shén )薛云(🅾)(yún ),三人(rén )在酒(jiǔ(💩) )吧偶然(rá(🔬)n )相遇(yù ),因(👆)盛(shèng )绮(💜)珊(shān )出手(📵)解围薛(xuē(⤴) )云,而坐在(🐋)(zài )一起(😝)畅谈,并临(🎊)(lín )时起意(🎢)(yì )一起(qǐ )开一家(🗣)(jiā )广告(gà(🐉)o )公司,就这(📧)(zhè )样走上(shàng )了创(♌)(chuàng )业之路(🚞)。然(rán )而这(🦀)一路并(bìng )没有想(🌫)象中(zhōng )顺畅,第一(yī )个客户因为夏思(✅)佳的懦弱自卑惹(♈)怒客户被(🤵)百般刁难(➿),难得的一次机会(🎁)可以和薛(💛)云的老合(✈)作搭档欧凯丽(lì(💭) )的大(dà )公(🔧)司合(hé )作(🛰),正在签(🍰)(qiān )合同(tó(⛩)ng )的时候(hò(😠)u ),没(méi )想到(🤪)创(chuàng )意(⛪)被(bèi )盛绮(🤵)珊男朋(pé(🎠)ng )友周慕文泄(xiè )露(😢),直接导(dǎ(🕐)o )致合(hé )作(❣)失败(bài ),三(sān )人的(💔)公(gōng )司名(⏳)(míng )誉扫地(🚒)(dì ),陷(xiàn )入危机(jī(🙄) )……
该电影将于(yú )2017年7月14日在香(xiāng )港(🛡)举行开机(jī )发布(🍣)会,演(yǎn )员(🔨)阵容会由(🕋)吴启华、朱慧敏(🧜)、李雨阳(🛁)、李思欣(🐺)、程芷渝、杜大(🌹)伟、李鸿(🚯)杰、麦翠(🧥)娴、梁(🧙)霭曈、黄(🔏)俊锋(fēng )等(🤠)主演,将(jiā(💉)ng )于深(shē(💧)n )圳取景(jǐ(💺)ng )拍摄(shè )。
1891年(👸),后印(yìn )象派大(dà(🏎) )师保(bǎo )罗(😀)·高更在(📰)(zài )巴黎的艺术(shù(⛪) )圈已小有(🥀)名(míng )气,但(🌵)为文(wén )明社(shè )会(🌵)的虚(xū )伪与(yǔ )矫情感(gǎn )到厌(yàn )烦。对(🍟)(duì )于原(yuán )始世界(📥)的渴(kě )望(🌺)驱使他离(🈶)(lí )开家中妻小(xiǎ(🛳)o ),来到南太(🧝)(tài )平洋的(🤺)大溪地;准备好(🍐)为追寻已(🛎)久的自然(🔘)、野性(📧)、纯粹的(🕣)生活与创(🚇)作环境牺(🔦)牲一切(🧝)。忍受着经(✳)济上的贫(🕋)困和精神(shén )上的(🎡)(de )孤寂,高更(🔂)(gèng )走进丛(📙)(cóng )林深(shēn )处,认(rè(😔)n )识了(le )当地(🍘)的毛利(lì )人,邂逅了(le )原住民(☝)女孩(hái )德胡拉;(🙆)一(yī )段三(sān )角关係(🍏)(xì )也若(ruò )隐若现(🥂)(xiàn )地缓(huǎ(🥧)n )缓浮出(chū(🍱) )。这(zhè )座远方岛屿(🛤)(yǔ )彷佛是(🕙)他灵(líng )魂(🕧)的故土,此处充满(🏾)生(shēng )命力(🦉)的人物面(🏟)貌与地(💾)景线条都(🥈)成为他的(🏗)缪思,激发(⛩)他创作(🆙)出艺术生(🛃)涯中最具(🥚)标志性的大师之(🐏)作。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.
此片以(🛠)在民间广(☝)(guǎng )为流(liú )传的民(💍)(mín )国“鬼新(🌲)娘(niáng )”故(gù )事为背(bèi )景,讲述(🔻)了都市(shì )青年林(👫)青衣(yī )和梁晓光感(🔠)(gǎn )人至深的爱(à(🔒)i )情故(gù )事(🌶)。
星(xīng )宇公(💫)(gōng )司遭遇(yù )盗宝(🍤)(bǎo )集团突(🦔)(tū )袭,立夏(🈴)受伤,丢失了云南(🍕)(nán )赤家兄(🎶)弟的(de )瓷瓶(🙀)。林欢(huā(👤)n )馨联合考(🕚)古学家高(⛎)震云设下(😁)计谋寻(🌰)回了瓷瓶(🧛)。不料盗宝(🍻)集团跟踪至云南(⛽)该瓷瓶出(🗑)土处,将众(🥊)人擒拿欲挖掘古(🎡)墓。林克(kè(🌦) )服恐高(gāo )症独(dú )自逃出(chū(🏻) ),并(bìng )联合赤(chì )家(👁)寨(zhài )村。
Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.