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    Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(😖) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

    巴勒斯坦(tǎn )電(dià(🚡)n )視(🤥)台攝製臥底(🦁)肥(🦉)皂(zào )劇(jù ),連以色列(♋)婦(🔽)孺都晚(wǎn )晚追(🍈)看。編(biān )劇(jù )因情節(🥪)背(😏)離革命而(ér )辭(♊)(cí )職,監製的多口侄(🚸)仔(🔟)(zǎi )助理受命執筆,頻(🏯)頻(pín )借女角之(🌰)口(🚅)(kǒu ),向電視機前的舊(😤)愛(🈯)(ài )示(shì )好,以色(🚚)列檢查站軍(jun1 )官則企(💶)圖(🈺)恃(shì )權影響劇(🥣)(jù )情發展,以(yǐ )便(bià(👦)n )在(👱)追看的嬌妻面前(qián )自(zì )吹自擂。助(😗)理(🕠)即使槍(qiāng )抵腦殼,都(😖)(dō(🚃)u )不(bú )肯接受(🐏)軍(📸)官要求的(de )大(dà )團圓(🤙)結(😟)局。抗爭,必(bì )須(🆙)繼續!影展新秀蘇(sū(🐰) )亞(💭)比巧妙調(diào )侃(✂)(kǎn )以巴關係,他的喜(♎)(xǐ(🕢) )劇(jù )座右銘是:要(🍪)能大笑(xiào ),必須(👮)面(🐁)對苦痛,並(bìng )與之周(🥫)旋(👊)。獲(huò )威尼斯地(💵)平線單元(yuán )最(zuì )佳(😾)男(🌓)主角獎。

    Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.

    A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.

    When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.

    巴勒斯(🎬)(sī )坦電視台攝製臥(🎯)底(⭕)肥(féi )皂劇,連以(yǐ )色(sè )列婦孺都晚(🔍)晚(🐕)追看(kàn )。編劇因情節(🔥)背(🕰)離革命(mìng )而(🏠)辭(😧)職,監(jiān )製(zhì )的多口(🥟)(kǒ(🎻)u )侄仔助理受(shò(🦂)u )命(mìng )執筆,頻頻借女(🛡)角(🚣)(jiǎo )之(zhī )口,向電(🧠)視機前的舊(jiù )愛示(⛷)好(📁),以(yǐ )色(sè )列檢查站軍官則企(qǐ )圖(🔈)(tú(🐮) )恃權影響劇情發展(😜),以(🙆)便在追看的嬌(🙃)妻面(miàn )前自吹自擂(📴)(lè(🏨)i )。助理即使槍抵(📗)腦殼(ké ),都不肯接受(🚓)軍(🤭)官要求(qiú )的大(🏧)團圓結局。抗爭(zhēng ),必(🧕)須(💂)繼續(xù )!影展新秀蘇(🦁)亞比巧(qiǎo )妙(mià(🧓)o )調(🏴)侃以巴關係,他的(de )喜(🏕)劇(❓)座右銘(míng )是:(🥨)要能(néng )大笑,必須(xū(🌦) )面(🦖)(miàn )對苦痛,並與(🤸)之周(zhōu )旋(xuán )。獲威尼(📫)斯(🆗)地平線單(dān )元最佳男主(zhǔ )角(jiǎo )獎(🏹)。

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